{"id":32814,"date":"2026-09-11T07:00:00","date_gmt":"2026-09-11T10:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=32814"},"modified":"2026-09-10T02:15:32","modified_gmt":"2026-09-10T05:15:32","slug":"1850-el-ultimo-agosto","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2026\/09\/11\/1850-el-ultimo-agosto\/","title":{"rendered":"\u201c1850. EL \u00daLTIMO AGOSTO\u201d"},"content":{"rendered":"\n

Llega el estreno de \u201c1850. El \u00faltimo agosto\u201d, de Pablo M\u00fcller, con la versi\u00f3n esc\u00e9nica y direcci\u00f3n de Norberto Gonzalo, y las actuaciones de Jorge Capussotti, Guido D\u2019Albo y Patricia Guillermina Rozas.<\/p>\n\n\n\n

Hay una historia que conocemos. Hay un hombre que no. 1850 nos habla de los \u00faltimos d\u00edas de Jos\u00e9 de San Mart\u00edn, sus recuerdos, sus afectos, sus silencios.<\/p>\n\n\n\n

Las funciones ser\u00e1n los d\u00edas s\u00e1bados de septiembre, octubre y noviembre a las 21:00 horas, en el Teatro La M\u00e1scara.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SINOPSIS<\/strong><\/p>\n\n\n\n

Lejos del retrato monumental, “1850. El \u00faltimo agosto” nos propone redescubrir al anciano libertador,  general Jos\u00e9 de San Mart\u00edn, en la intimidad de sus \u00faltimas horas. Una charla ficcional con su entra\u00f1able amigo Tomas Guido y la sutil presencia de su hija Mercedes. Los grandes acontecimientos hist\u00f3ricos, ceden lugar a los recuerdos, las dudas, los afectos y las convicciones del hombre que cambi\u00f3 el destino de un continente.<\/p>\n\n\n\n

PALABRAS DEL DIRECTOR<\/strong><\/strong><\/p>\n\n\n\n

\u201cLlevar al teatro a Jos\u00e9 de San Mart\u00edn, s\u00edmbolo m\u00e1ximo de la libertad latinoamericana, implica una atractiva propuesta, a\u00fan m\u00e1s si el desaf\u00edo conlleva la intenci\u00f3n de vivenciarlo en la vulnerabilidad de sus \u00faltimas horas. Una amistad que dispara, a eso refiere, \u201c1850 El \u00daltimo agosto\u201d.<\/p>\n\n\n\n

Memorias, afectos, ausencias, alegr\u00edas y dolores, de quien no se propuso el bronce, sino el objetivo de su ideolog\u00eda emancipadora\u201d. \u2013<\/strong> Norberto Gonzalo.<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/strong><\/p>\n\n\n\n

Autor\u00eda:<\/strong> Pablo M\u00fcller<\/p>\n\n\n\n

Versi\u00f3n esc\u00e9nica:<\/strong> Norberto Gonzalo<\/p>\n\n\n\n

Act\u00faan:<\/strong> Jorge Capussotti \u2013 Guido D\u2019Albo \u2013 Patricia Guillermina Rozas<\/p>\n\n\n\n

Dise\u00f1o de vestuario:<\/strong> Alejandro Mateo<\/p>\n\n\n\n

Dise\u00f1o de escenograf\u00eda:<\/strong> Alejandro Mateo<\/p>\n\n\n\n

Realizaci\u00f3n escenogr\u00e1fica:<\/strong> Patricio Gonzalo<\/p>\n\n\n\n

Dise\u00f1o de luces:<\/strong> Norberto Gonzalo<\/p>\n\n\n\n

Realizaci\u00f3n de objetos:<\/strong> Agust\u00edn Valle<\/p>\n\n\n\n

Composici\u00f3n musical:<\/strong> Federico Gamba \u2013 Javier M\u00fcller<\/p>\n\n\n\n

Fotograf\u00eda:<\/strong> Ana Mar\u00eda Ferrari \u2013 Walter Cesar Remus<\/p>\n\n\n\n

Dise\u00f1o gr\u00e1fico:<\/strong> Nahuel Lamoglia<\/p>\n\n\n\n

Prensa:<\/strong> Natalia Bocca<\/p>\n\n\n\n

Asistencia de direcci\u00f3n:<\/strong> Patricio Gonzalo<\/p>\n\n\n\n

Producci\u00f3n ejecutiva:<\/strong> Claudia D\u00edaz<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Norberto Gonzalo<\/p>\n\n\n\n

Instagram:<\/strong> @1850elultimoagosto<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 70 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TEATRO LA M\u00c1SCARA<\/strong><\/p>\n\n\n\n

Piedras 736 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 4307-0566<\/p>\n\n\n\n

Entradas: $ 30.000 \u2013 en boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link:<\/p>\n\n\n\n

Entradas para 1850. el \u00faltimo agosto en TEATRO LA M\u00c1SCARA – Alternativa Teatral<\/a><\/p>\n\n\n\n

Funciones: S\u00e1bados 21:00 horas \u2013 Del 19\/09\/2026 al 28\/11\/2026<\/p>\n\n\n\n

Gracias Natalia Bocca por acercarnos la gacetilla de prensa del estreno de este espect\u00e1culo.<\/p>\n\n\n\n

SOBRE EL DIRECTOR<\/strong><\/p>\n\n\n\n

Norberto Gonzalo es actor y Director. Inicia la actividad en 1970. Integra la Comedia Nacional, en el Teatro Nacional Cervantes, en Hamlet, Edipo Rey, Romeo y Julieta, Mart\u00edn Fierro, Las de Barranco, As\u00ed es la Vida y Lo que mata es la Humedad.<\/p>\n\n\n\n

Act\u00faa, dirige y produce Orquesta de Se\u00f1oritas, durante varias temporadas en capital, interior y exterior del pa\u00eds. Act\u00faa en La muerte de un Viajante, con direcci\u00f3n de Julio Baccaro y la presencia de Arthur Miller en Bs. AS. Dirige El M\u00e9dico a Palos en el Cervantes. En el a\u00f1o 2000, abre su propio teatro, La M\u00e1scara, y alterna actuaci\u00f3n y direcci\u00f3n en Blancos Oficios, Que supimos conseguir, Extra\u00f1as Figuras, Jard\u00edn de Oto\u00f1o, Amor Canalla, Radioteatro para Ver, Allende, Sof\u00eda Boz\u00e1n, Gorostiza por 2, El viejo Criado, Los Hermanos Queridos, Teatro Desocupado. En el Teatro San Mart\u00edn: La Novia de los Forasteros; en Andamio 90 Mar\u00eda Estuardo, en el Payr\u00f3, Tartufo; en temporada de Carlos Paz y gira, Money Money y La Jaula de las Locas.<\/p>\n\n\n\n

Como autor, int\u00e9rprete y director “El pescado sin vender”(nominado premios Ace), Cuarteles de Invierno, de Osvaldo Soriano, y ST\u00c9FANO dirigido por Osmar Nu\u00f1ez trabajo por el que fue nominado al Premio ACE en la categor\u00eda Actor Teatro Independiente. Tambi\u00e9n fue nominado a los dichos premios como director de \u201cYa nadie recuerda a Fr\u00e9d\u00e9ric Chopin\u201d de Roberto Cossa.<\/p>\n\n\n\n

SOBRE EL DRAMATURGO<\/strong><\/p>\n\n\n\n

Pablo M\u00fcller es m\u00e9dico oftalm\u00f3logo, escritor e investigador apasionado por la vida y el legado de Jos\u00e9 de San Mart\u00edn. Desde hace a\u00f1os desarrolla una labor de estudio que lo ha llevado a profundizar en todo tipo de documentaci\u00f3n bibliogr\u00e1fica, audiovisual y geogr\u00e1fica, para descubrir la dimensi\u00f3n m\u00e1s humana del Libertador.<\/p>\n\n\n\n

Esa pasi\u00f3n se plasm\u00f3 primero en “Soy Jos\u00e9 (San Mart\u00edn para ni\u00f1os)”, una biograf\u00eda destinada al p\u00fablico infantil e ilustrada por Viviana Brass, presentada en la Biblioteca Nacional Mariano Moreno. En sus p\u00e1ginas propone un acercamiento sensible y accesible a la figura de San Mart\u00edn, invitando a las nuevas generaciones a conocer al h\u00e9roe de la independencia.<\/p>\n\n\n\n

Ese mismo camino de investigaci\u00f3n y divulgaci\u00f3n dio origen a “1850. El \u00faltimo agosto”, una obra teatral que imagina las \u00faltimas horas de vida del libertador. Lejos del retrato solemne del pr\u00f3cer, la propuesta pone el foco en sus v\u00ednculos, sus convicciones y sus emociones, ofreciendo una mirada \u00edntima sobre uno de los personajes m\u00e1s trascendentes de la historia americana.<\/p>\n\n\n\n

Con una mirada que integra investigaci\u00f3n hist\u00f3rica, divulgaci\u00f3n y creaci\u00f3n art\u00edstica, Pablo Muller busca generar nuevas formas de acercarse a Jos\u00e9 de San Mart\u00edn y mantener vivo un legado que sigue interpelando a nuestra identidad y a nuestros valores.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Llega el estreno de \u201c1850. El \u00faltimo agosto\u201d, de Pablo M\u00fcller, con la versi\u00f3n esc\u00e9nica y direcci\u00f3n de Norberto Gonzalo, y las actuaciones de Jorge Capussotti, Guido D\u2019Albo y Patricia Guillermina Rozas. Hay una historia que conocemos. Hay un hombre que no. 1850 nos habla de los \u00faltimos d\u00edas de Jos\u00e9 de San Mart\u00edn, sus […]<\/p>\n","protected":false},"author":3,"featured_media":32818,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":["post-32814","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte","category-teatro"],"yoast_head":"\n\u201c1850. 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