{"id":31071,"date":"2026-06-19T13:00:00","date_gmt":"2026-06-19T16:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=31071"},"modified":"2026-06-19T02:13:00","modified_gmt":"2026-06-19T05:13:00","slug":"la-diabla-o-como-destruir-al-mundo","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2026\/06\/19\/la-diabla-o-como-destruir-al-mundo\/","title":{"rendered":"\u201cLA DIABLA, O COMO DESTRUIR AL MUNDO\u201d"},"content":{"rendered":"\n

Despu\u00e9s de una\u00a0exitosa temporada en el Teatro Nacional Cervantes, y de obtener m\u00faltiples\u00a0nominaciones a los premios ACE y HUGO,\u00a0vuelve a presentarse\u00a0“La Diabla, O c\u00f3mo destruir al mundo”, un unipersonal musical escrito y dirigido por Emiliano Dionisi y Martin Rodr\u00edguez, con actuaci\u00f3n de Monina Bonelli y piano en vivo de Gretel Cort\u00e9s.\u00a0<\/p>\n\n\n\n

Se presentar\u00e1 por \u00fanicas 5 funciones,\u00a0en el emblem\u00e1tico Teatro TIMBRE 4, a partir del s\u00e1bado 27 de junio a las 20:00 horas y los s\u00e1bados de julio a las 18:30 horas. \u00a0<\/p>\n\n\n\n

En “La Diabla…”, Dionisi y Rodr\u00edguez, la dupla creadora del multipremiado musical “Los Monstruos”, se reuni\u00f3 con dos s\u00f3lidas int\u00e9rpretes femeninas, Bonelli en actuaci\u00f3n y Cortez al piano,  para dar vida a una experiencia teatral y musical intensa que invita a pensar sobre los propios fantasmas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SINOPSIS<\/strong><\/strong><\/p>\n\n\n\n

Hay personas que nacen con una sensibilidad inusual, una tan potente que son capaces de percibir lo que los dem\u00e1s no, como melod\u00edas de otros tiempos que est\u00e1n siempre ah\u00ed, esperando para ser o\u00eddas. Para algunos es un regalo, para otros una maldici\u00f3n, para La Diabla, la oportunidad de hacer contacto. Solo hay que tener cuidado con qu\u00e9 llamadas atender, no sea cosa que la misi\u00f3n sea destruir todo lo conocido. <\/p>\n\n\n\n

PALABRAS DEL AUTOR Y DIRECTOR<\/strong><\/strong><\/p>\n\n\n\n

\u201cEn un presente convulsionado, donde lo que cre\u00edamos lo peor, parece ser solo el principio, La Diabla, o como destruir el mundo, es una invitaci\u00f3n a convertir el miedo en risa sat\u00e1nica, y a afirmar que las brujas existen\u2026 por suerte\u201d.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/strong><\/p>\n\n\n\n

Dramaturgia: <\/strong>Emiliano Dionisi <\/strong><\/p>\n\n\n\n

Act\u00faan: <\/strong>Monina Bonelli<\/p>\n\n\n\n

M\u00fasico En Escena: <\/strong>Gretel Cort\u00e9s<\/p>\n\n\n\n

Dise\u00f1o de vestuario: <\/strong>Marisol Casta\u00f1eda<\/p>\n\n\n\n

Dise\u00f1o de escenograf\u00eda: <\/strong>Giuliano Benedetti<\/p>\n\n\n\n

M\u00fasica original: <\/strong>Mart\u00edn Rodr\u00edguez<\/p>\n\n\n\n

Letras de canciones: <\/strong>Emiliano Dionisi, Mart\u00edn Rodr\u00edguez<\/p>\n\n\n\n

Dise\u00f1o gr\u00e1fico: <\/strong>Nacho Albani<\/p>\n\n\n\n

Fotograf\u00eda: <\/strong>Ail\u00e9n Garelli<\/p>\n\n\n\n

Preparador F\u00edsico: <\/strong>Valeria Narv\u00e1ez<\/p>\n\n\n\n

Preparador Vocal: <\/strong>Lucila Gandolfo<\/p>\n\n\n\n

Producci\u00f3n ejecutiva: <\/strong>Marianela Dollera Albarrac\u00edn, Mar\u00eda Eva Moreno<\/p>\n\n\n\n

Prensa: <\/strong>Prens\u00f3polis<\/p>\n\n\n\n

Coordinaci\u00f3n de producci\u00f3n: <\/strong>Ra\u00fal S. Alg\u00e1n<\/p>\n\n\n\n

Distribuidor: <\/strong>Sebasti\u00e1n Ezcurra<\/p>\n\n\n\n

Direcci\u00f3n: <\/strong>Emiliano Dionisi<\/p>\n\n\n\n

Instagram:<\/strong> @ladiabla.obra<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 60 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

Agradecimientos:\u00a0<\/strong>Tobias Brukman, Mariel El Jaber, Ariel P\u00e9rez De Mar\u00eda, Gabriel Sainz, Juan Pablo Schapira,\u00a0Facundo Bay\u00f3n.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TIMBRE 4<\/strong><\/p>\n\n\n\n

M\u00e9xico 3554 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 4931-9077 (escuela)<\/p>\n\n\n\n

Web: http:\/\/www.timbre4.com<\/a> <\/em><\/p>\n\n\n\n

Entradas: $ 25.000 \u2013 en boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link: <\/p>\n\n\n\n

Entradas para La Diabla o c\u00f3mo destruir el mundo en TIMBRE 4 – Alternativa Teatral<\/a><\/em><\/p>\n\n\n\n

Funciones: S\u00e1bado 27 de Junio \u2013 20:00 horas <\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>S\u00e1bados 04, 11, 18 y 25 de Julio \u2013 18:30 horas<\/p>\n\n\n\n

Gracias Alejandra P\u00eda Nicolosi de Prens\u00f3polis Comunicaci\u00f3n y Prensa por hacernos llegar la gacetilla de prensa del la nueva temporada de este espect\u00e1culo. \u00a0\u00a0\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SOBRE EMILIANO DIONISI<\/strong><\/strong><\/p>\n\n\n\n

Es director, dramaturgo, guionista, actor, docente y gestor. Es egresado de la Diplomatura en dramaturgia del CC Cultural Paco Urondo (FILO – UBA).<\/p>\n\n\n\n

En 2009\u00a0fund\u00f3 la “Compa\u00f1\u00eda criolla”\u00a0(con m\u00e1s de once producciones en su haber). Sus espect\u00e1culos se han representado en el Teatro General San Mart\u00edn, Teatro El Picadero, Teatro Nacional Cervantes, Teatro Col\u00f3n, Centro Cultural Recoleta, Teatro 25 de Mayo, Teatro Coliseo Podest\u00e1, Teatro del Pueblo, Centro Cultural de la Cooperaci\u00f3n, entre otros, y han participado en docenas de\u00a0festivales nacionales e internacionales y recibiendo m\u00faltiples premios y distinciones\u00a0como; ACE, Florencio S\u00e1nchez, Mar\u00eda Guerrero, HUGO, Estrella de Mar, entre otros.<\/p>\n\n\n\n

Sus textos son representados en M\u00e9xico, Uruguay, Brasil, Colombia, Costa Rica, Ecuador, Rep\u00fablica Dominicana y Espa\u00f1a y fueron publicados por las editoriales LOSADA, ATUEL, TIENDA TETRAL y por la Facultad de Filosof\u00eda y Letras (UBA).<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SOBRE MONINA BONELLI<\/strong><\/strong><\/p>\n\n\n\n

Es\u00a0artista y curadora en artes esc\u00e9nicas, formada en actuaci\u00f3n y dramaturgia en la Escuela Metropolitana de Arte Dram\u00e1tico de Buenos Aires.<\/p>\n\n\n\n

Gan\u00f3 los\u00a0premios\u00a0<\/strong>Trinidad Guevara y Luisa Vehil. Fue becaria de la Fundaci\u00f3n Antorchas y del Instituto Goethe para asistir al Theatertreffen en Berl\u00edn. Actu\u00f3 en obras de Luis Cano, Berkoff, Bustamante y Tritek, y protagoniza\u00a0“La Diabla”\u00a0<\/em>de Emiliano Dionisi. Como directora trabaj\u00f3 en piezas de Paola Traczuk como “600 caballos de fuerza”, “Los Titanes”\u00a0y “Tejido Samurai”. Particip\u00f3 en “Ciclones”\u00a0de Danielly Francisque y dirige “C\u00f3mo tornarse en un dictador”, con Jos\u00e9 Neto Barboza. Dirigi\u00f3 el CC25 de Mayo y fue asesora de la Bienal de Arte Joven. Fund\u00f3\u00a0Teatro Bomb\u00f3n<\/em>\u00a0y sus ediciones\u00a0Bomb\u00f3n Vecinal\u00a0<\/em>yBomb\u00f3n Gesell<\/em>, esta \u00faltima dedicada a dramaturgia iberoamericana. En 2024 estren\u00f3 “Perros \u2013 Di\u00e1logos Caninos\u00a0(MITsp)” y en 2025 desarrolla versiones de\u00a0Bomb\u00f3n Vecinal<\/em>en Recife y\u00a0Porto Alegre<\/em>\u00a0junto al festival Reside.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Despu\u00e9s de una\u00a0exitosa temporada en el Teatro Nacional Cervantes, y de obtener m\u00faltiples\u00a0nominaciones a los premios ACE y HUGO,\u00a0vuelve a presentarse\u00a0“La Diabla, O c\u00f3mo destruir al mundo”, un unipersonal musical escrito y dirigido por Emiliano Dionisi y Martin Rodr\u00edguez, con actuaci\u00f3n de Monina Bonelli y piano en vivo de Gretel Cort\u00e9s.\u00a0 Se presentar\u00e1 por \u00fanicas […]<\/p>\n","protected":false},"author":3,"featured_media":31078,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":["post-31071","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte","category-teatro"],"yoast_head":"\n\u201cLA DIABLA, O COMO DESTRUIR AL MUNDO\u201d - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2026\/06\/19\/la-diabla-o-como-destruir-al-mundo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cLA DIABLA, O COMO DESTRUIR AL MUNDO\u201d - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"Despu\u00e9s de una\u00a0exitosa temporada en el Teatro Nacional Cervantes, y de obtener m\u00faltiples\u00a0nominaciones a los premios ACE y HUGO,\u00a0vuelve a presentarse\u00a0“La Diabla, O c\u00f3mo destruir al mundo”, un unipersonal musical escrito y dirigido por Emiliano Dionisi y Martin Rodr\u00edguez, con actuaci\u00f3n de Monina Bonelli y piano en vivo de Gretel Cort\u00e9s.\u00a0 Se presentar\u00e1 por \u00fanicas […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergiolapegue.com\/site\/2026\/06\/19\/la-diabla-o-como-destruir-al-mundo\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergio Lapegue\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/sergiolapegue\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/danielernesto.montana\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-19T16:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/06\/La-diabla.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel E. 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