{"id":29060,"date":"2026-03-18T09:00:00","date_gmt":"2026-03-18T12:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=29060"},"modified":"2026-03-18T00:27:42","modified_gmt":"2026-03-18T03:27:42","slug":"para-no-caer-vol-1","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2026\/03\/18\/para-no-caer-vol-1\/","title":{"rendered":"PARA NO CAER VOL. 1"},"content":{"rendered":"\n

Para no caer Vol. 1convoca la m\u00fasica. Y convoca la palabra. Una vez m\u00e1s. <\/p>\n\n\n\n

El nuevo espect\u00e1culo de Tantanian (voz) y Penelas (piano y voz)\u00a0presenta un repertorio que va desde Vivaldi a Boublil & Sch\u00f6nberg (Les Mis\u00e9rables); de Enrique Santos Disc\u00e9polo y Celedonio Flores a Liliana Felipe.<\/p>\n\n\n\n

Este d\u00fao conformado en el a\u00f1o 2008 ha trabajado en diferentes formatos y g\u00e9neros, creando espect\u00e1culos como Los sensuales de Alejandro Tantanian (Camar\u00edn de las musas, 2008); Viaje de invierno (Teatro Metropolitan, 2010); Las islas de Carlos Gamerro (Teatro Presidente Alvear, CTBA, 2011); Almas ardientes de Santiago Loza (Teatro San Mart\u00edn, 2014); Todas las canciones de amor de Santiago Loza con Maril\u00fa Marini (Paseo La Plaza, 2016); y Alejandro Tantanian & Diego Penelas (Bargoglio, 2018 \u2013 2019), entre muchos otros.\u00a0Todas estas colaboraciones supieron merecer nominaciones y premios locales e internacionales.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

PARA NO CAER<\/strong> Vol.1<\/strong><\/p>\n\n\n\n

En tiempos de aceleraci\u00f3n constante y de crisis: todas nuestras certezas parecieran derrumbarse, desvanecerse en el aire.\u00a0Para no caer\u00a0intenta la detenci\u00f3n, la empat\u00eda, el poder acercarnos, comprender qu\u00e9 hay m\u00e1s all\u00e1 de nosotros. En \u00e9pocas de narcisismos salvajes escucharnos, mirarnos a los ojos. Acciones, estas, que parecieran ser obvias, evidentes, cotidianas. Sin embargo, no. Nuestros tiempos se alejan irremediablemente de todas estas herramientas.\u00a0<\/p>\n\n\n\n

Para no caer\u00a0intenta escuchar, despertar, acompa\u00f1ar, emocionar, entender. Cosas, estas, que hacemos los humanos hace siglos y que hoy forman parte de un nuevo futuro. Porque de eso se trata: no lamentarnos por lo perdido ni lamernos las heridas y darnos palmadas en la espalda por nuestro presente, sino poder construir lenta y firmemente nuestro futuro.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/strong><\/p>\n\n\n\n

Voz:<\/strong> <\/strong>Alejandro Tantanian<\/p>\n\n\n\n

Piano & voz:<\/strong> <\/strong>Diego Penelas<\/p>\n\n\n\n

Arreglos musicales:<\/strong> Diego Penelas<\/p>\n\n\n\n

Direcci\u00f3n musical:<\/strong> Diego Penelas<\/p>\n\n\n\n

Dise\u00f1o de luces:<\/strong> Lola L\u00f3pez Menalled<\/p>\n\n\n\n

Fotograf\u00eda:<\/strong> Facundo \u201cIrish\u201d Su\u00e1rez<\/p>\n\n\n\n

Dise\u00f1o gr\u00e1fico:<\/strong> Karina Hern\u00e1ndez<\/p>\n\n\n\n

Contenidos digitales:<\/strong> Boria Audiovisual<\/p>\n\n\n\n

Prensa:<\/strong> Varas Otero<\/p>\n\n\n\n

Asistente de direcci\u00f3n:<\/strong> Bianca Puj\u00eda Levy<\/p>\n\n\n\n

Producci\u00f3n:<\/strong> Alejandra Menalled<\/p>\n\n\n\n

Producci\u00f3n general:<\/strong> N\u00dcNproduce<\/p>\n\n\n\n

Direcci\u00f3n general:<\/strong> Alejandro Tantanian<\/p>\n\n\n\n

Instagram:<\/strong> @paranocaer.vol1<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 75 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

N\u00dcN TEATRO BAR<\/strong><\/strong><\/p>\n\n\n\n

Juan Ram\u00edrez de Velasco 419 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 4854-2107<\/p>\n\n\n\n

Entradas: $ 25.000 \u2013 en boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link:<\/p>\n\n\n\n

Entradas para PARA NO CAER – Vol. 1 en N\u00dcN TEATRO BAR – Alternativa Teatral<\/a><\/strong><\/p>\n\n\n\n

Funciones: Jueves 21:00 horas \u2013 Del 02\/04\/2026 al 25\/06\/2026<\/p>\n\n\n\n

Gracias Varas Otero por acercarnos la gacetilla de prensa de este espect\u00e1culo. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

ALEJANDRO TANTANIAN<\/strong><\/p>\n\n\n\n

Naci\u00f3 en Buenos Aires, en 1966, es dramaturgo, director, actor y curador. Figura central del teatro argentino contempor\u00e1neo, su obra articula poes\u00eda, m\u00fasica y pensamiento esc\u00e9nico en una b\u00fasqueda que desarma las fronteras entre texto, cuerpo y pol\u00edtica. Como director del Teatro Nacional Cervantes (2017\u20132020) impuls\u00f3 una profunda renovaci\u00f3n institucional basada en la diversidad, el federalismo y la experimentaci\u00f3n. Su trabajo \u2014presentado en Am\u00e9rica Latina y Europa\u2014 lo posiciona como uno de los creadores m\u00e1s relevantes de su generaci\u00f3n, capaz de concebir el teatro como un espacio de reflexi\u00f3n est\u00e9tica y \u00e9tica sobre el presente.<\/p>\n\n\n\n

Entre sus \u00faltimos trabajos: M\u00e1quina teatro (Museo de Arte Moderno de Buenos Aires – MAMBA, Buenos Aires, 2025); En mitad de tanto fuego (Buenos Aires, 2025); Esto es teatro. Once escenas experimentales del Di Tella al Parakultural (MAMBA, Buenos Aires, 2025); Dulce p\u00e1jaro de juventud (Montevideo, 2025); El tr\u00e1gico reinado de Eduardo II, la triste muerte de su amado Gaveston, las intrigas de la reina Isabel y el ascenso y ca\u00edda del arrogante Mortimer (Teatro San Mart\u00edn, Buenos Aires, 2024\/2025); Ernest y Victoria (Ginebra, 2024); Tengo miedo torero (Mil\u00e1n, 2024); El coraz\u00f3n del da\u00f1o (Madrid-Buenos Aires-Angers, 2023\/2024\/2025); L7L \u2013 Die sieben Irren (M\u00fanich, 2022); Theodora (Teatro Col\u00f3n, Buenos Aires, 2021).<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

DIEGO PENELAS<\/strong><\/p>\n\n\n\n

Pianista, compositor, director musical y educador. <\/p>\n\n\n\n

Una parte significativa de su trabajo est\u00e1 dedicada a la composici\u00f3n de m\u00fasica original para producciones esc\u00e9nicas presentadas en importantes salas del circuito oficial, comercial e independiente, tanto en Argentina como en el exterior. Ha colaborado con diversos directores, entre ellos Alejandro Tantanian. Algunas de las obras m\u00e1s destacadas en las que particip\u00f3 incluyen Todas las canciones de amor, Almas ardientes, Las islas, Cenizas y Los sensuales. Su labor teatral ha sido reconocida con nominaciones y galardones en los premios Hugo, Florencio S\u00e1nchez, Teatro del Mundo y el Festival de Artes Esc\u00e9nicas de S\u00e3o Paulo (Brasil).<\/p>\n\n\n\n

En 2017 fund\u00f3 la Catalejorquesta, un proyecto audiovisual integrado por treinta m\u00fasicos, dedicado a la interpretaci\u00f3n de m\u00fasica original especialmente escrita para acompa\u00f1ar historietas argentinas cl\u00e1sicas y emergentes. En este espacio se desempe\u00f1a como compositor y director orquestal. Esta orquesta brind\u00f3 conciertos en importantes espacios culturales del pa\u00eds entre los cuales se destacan: Centro Cultural Kirchner, Tecn\u00f3polis, Usina del Arte, Universidad de Gral. Sarmiento, Casa del Bicentenario, etc. <\/p>\n\n\n\n

Ha realizado giras por el interior y el exterior del pa\u00eds junto a los artistas Georgina Hassan, Carlos Aguirre, Dolores Sol\u00e1 y Cecilia Zabala. Tiene editados cuatro discos como autor de canciones.<\/p>\n\n\n\n

En el \u00e1mbito educativo, form\u00f3 parte del plantel docente del Teatro General San Mart\u00edn y de la Sociedad Argentina de Autores (ARGENTORES). Fue convocado en calidad de educador y jurado por la Universidad Nacional de General Sarmiento, la Escuela Municipal de Arte Dram\u00e1tico (EMAD) y el Centro Cultural General San Mart\u00edn, donde dicta talleres extracurriculares de m\u00fasica para teatro.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Para no caer Vol. 1convoca la m\u00fasica. Y convoca la palabra. Una vez m\u00e1s.  El nuevo espect\u00e1culo de Tantanian (voz) y Penelas (piano y voz)\u00a0presenta un repertorio que va desde Vivaldi a Boublil & Sch\u00f6nberg (Les Mis\u00e9rables); de Enrique Santos Disc\u00e9polo y Celedonio Flores a Liliana Felipe. Este d\u00fao conformado en el a\u00f1o 2008 ha […]<\/p>\n","protected":false},"author":3,"featured_media":29066,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":["post-29060","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte","category-teatro"],"yoast_head":"\nPARA NO CAER VOL. 1 - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2026\/03\/18\/para-no-caer-vol-1\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PARA NO CAER VOL. 1 - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"Para no caer Vol. 1convoca la m\u00fasica. Y convoca la palabra. 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