{"id":28739,"date":"2026-03-05T13:00:00","date_gmt":"2026-03-05T16:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=28739"},"modified":"2026-03-05T00:55:52","modified_gmt":"2026-03-05T03:55:52","slug":"monologo-de-samuel-beckett","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/","title":{"rendered":"MON\u00d3LOGO DE SAMUEL BECKETT"},"content":{"rendered":"\n

El Teatro \u201cEl Exc\u00e9ntrico de la 18\u201d presenta tres obras fundamentales de la tradici\u00f3n literaria de Irlanda: una de James Joyce y dos piezas de Samuel Beckett.<\/p>\n\n\n\n

Dentro de esta programaci\u00f3n especial se estrena Mon\u00f3logo de Beckett, versi\u00f3n de Piece of Monologue, uno de los textos m\u00e1s radicales y depurados del Premio Nobel de Literatura 1969.<\/p>\n\n\n\n

Protagonizado por Joaqu\u00edn Tomassi que se form\u00f3 en la educaci\u00f3n p\u00fablica en la Escuela Metropolitana de Arte Dram\u00e1tico y con profesores reconocidos del circuito porte\u00f1o. Bajo la direcci\u00f3n de Mart\u00edn Dimarco.<\/p>\n\n\n\n

SINOPSIS<\/strong><\/p>\n\n\n\n

Una voz sola en escena.<\/p>\n\n\n\n

Habla porque no puede dejar de hablar. Recuerda, duda, se interrumpe. Intenta nombrar lo vivido, aunque sabe que las palabras fallan.<\/p>\n\n\n\n

En Piece of Monologue, Samuel Beckett reduce el teatro a su m\u00ednima expresi\u00f3n: un cuerpo casi inm\u00f3vil, una luz que aparece y desaparece, y una conciencia atrapada en el acto de decir. El personaje evoca fragmentos de una vida \u2014la infancia, la muerte, la casa, la noche\u2014 sin lograr nunca una narraci\u00f3n completa. Todo sucede en el borde entre la memoria y el olvido, entre la necesidad de hablar y el agotamiento del lenguaje.<\/p>\n\n\n\n

La obra propone una experiencia de escucha m\u00e1s que de acci\u00f3n: el tiempo se espesa, el silencio adquiere peso, y la palabra se vuelve residuo, insistencia, resto humano. Beckett construye as\u00ed un mon\u00f3logo donde la existencia se reduce a lo esencial: estar ah\u00ed, decir algo, aunque no haya ya nada que decir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

BECKETT EN ARGENTINA 2026<\/strong><\/p>\n\n\n\n

Samuel Becket fue dramaturgo, novelista y poeta irland\u00e9s (1906\u20131989), figura central del teatro del siglo XX. Es uno de los principales exponentes del llamado \u201cteatro del absurdo\u201d, aunque su obra excede ampliamente esa etiqueta.<\/p>\n\n\n\n

En 1969 recibi\u00f3 el Premio Nobel de Literatura por una producci\u00f3n que \u201ctransform\u00f3 la miseria del hombre moderno en su exaltaci\u00f3n\u201d.<\/p>\n\n\n\n

Este texto pertenece a una serie de mon\u00f3logos de Beckett donde pone de manifiesto, con su excelente escritura, el abismo inmenso del que somos parte. <\/p>\n\n\n\n

La propuesta de nuestra puesta es la uni\u00f3n de pl\u00e1stica, cuerpo y palabra. Donde la imagen visual impacta al espectador desde el momento de entrar a la sala, como si fuese una galer\u00eda donde mirar la ca\u00edda del hombre, atrapado, sin salida en un mundo hecho de carne y palabras.<\/p>\n\n\n\n

\u201cCreemos en la fuerza de la obra de este autor irland\u00e9s para nombrar y poner de manifiesto la situaci\u00f3n del ser humano hoy, en esta Argentina dif\u00edcil y abismal, donde el sentido parece estar ausente, donde la renuncia a la l\u00f3gica se repite una y otra vez, como el recetador de este fragmento de mon\u00f3logos que justamente est\u00e1 fragmentado, hecho pedazos, resignado pero con una m\u00ednima luz de esperanza\u201d \u2013 Joaqu\u00edn Tomassi<\/strong><\/p>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/p>\n\n\n\n

Autor\u00eda:<\/strong> Samuel Beckett<\/p>\n\n\n\n

Traducci\u00f3n:<\/strong> Jenaro Talens<\/p>\n\n\n\n

Act\u00faan:<\/strong> Joaqu\u00edn Tomassi<\/p>\n\n\n\n

Vestuario:<\/strong> Uriel Cistaro<\/p>\n\n\n\n

Escenograf\u00eda:<\/strong> Uriel Cistaro<\/p>\n\n\n\n

Gr\u00e1fica:<\/strong> Catalina Agostinelli Browne<\/p>\n\n\n\n

Asistencia t\u00e9cnica:<\/strong> Alejandro Rodas<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Mart\u00edn Dimarco, Joaqu\u00edn Tomassi<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 30 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos  <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

EL EXC\u00c9NTRICO DE LA 18\u00b0<\/strong><\/p>\n\n\n\n

Lerma 420 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 11 6 801 6092<\/p>\n\n\n\n

Web: http:\/\/@elexcentricodela18<\/a><\/p>\n\n\n\n

Entradas: $ 20.000 \u2013 En boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link:<\/p>\n\n\n\n

http:\/\/www.alternativateatral.com\/obra99176-monologo-de-samuel-beckett<\/a><\/p>\n\n\n\n

Funciones: S\u00e1bados 18:00 horas \u2013 Desde el 14\/03\/2026 al 28\/03\/2026<\/p>\n\n\n\n

Gracias Caro Arellano de Expansi\u00f3n Teatral por hacernos llegar la gacetilla de prensa de este espect\u00e1culo.<\/p>\n\n\n\n

SOBRE JOAQU\u00cdN TOMASSI \u2013 (@joaquintomassi)<\/strong>  <\/p>\n\n\n\n

Se form\u00f3 en la EMAD y con los maestros de actuaci\u00f3n Augusto Fernandes, Cristina Banegas, Guillermo Cacace, Norman Briski, Alejando Catal\u00e1n,  Pompeyo Audivert, Javier Daulte, Gaby Ferrero, entre otros.<\/p>\n\n\n\n

Trabaj\u00f3 en teatro, cine, tv y publicidad. Entre algunos de sus trabajos est\u00e1n La Tercera Orilla de Celina Murga (cine), Margarita de Cris Morena, Nafta Super de Nicanor Loreti (serie). En teatro trabaj\u00f3 con Los Pip\u00eds Teatro, con Pompeyo Audivert. Sus \u00faltimas obras son: Las cosas que se que son verdad en el Camar\u00edn de las Musas, Los Invertidos en El Tinglado, Lejos de todo lo que hace mal en el Kairos, Legi\u00f3n Religi\u00f3n de Urdapilleta en Teatro Beckett, Disney en concierto en el Teatro Col\u00f3n, La Se\u00f1ora Macbeth en El Exc\u00e9ntrico de la 18, entre muchas otras producciones. <\/p>\n\n\n\n

Es profesor\/gu\u00eda\/coach actoral en Otro Mundo espacio de Cris Morena.<\/p>\n\n\n\n

SOBRE MART\u00cdN DIMARCO \u2013 (@dimarcom29)<\/strong><\/p>\n\n\n\n

Es director egresado de la Escuela Metropolitana de Arte Dram\u00e1tico y curs\u00f3 Direcci\u00f3n en el Instituto de Arte Cinematogr\u00e1fico de Avellaneda (IDAC); se form\u00f3 como actor y realiz\u00f3 un breve paso por la danza contempor\u00e1nea. Como director, encabez\u00f3 La \u00faltima cinta de Krapp, de Samuel Beckett; Terror y miserias del Tercer Reich, de Bertolt Brecht; Eco y Narciso, de Calder\u00f3n de la Barca. Se desempe\u00f1\u00f3 como asistente de direcci\u00f3n esc\u00e9nica en las \u00f3peras Dido y Mujer sin nombre, y como asistente de direcci\u00f3n en Monos con navaja. En el \u00e1rea de iluminaci\u00f3n fue iluminador en Qu\u00e9 cosa es el amor, Calmo como una bomba y Postales italianas. Como actor particip\u00f3 en Un informe sobre la banalidad del amor y La cantante calva, de Ionesco; y como bailar\u00edn en Intersticios y Una historia de Juana la Loca.<\/p>\n","protected":false},"excerpt":{"rendered":"

El Teatro \u201cEl Exc\u00e9ntrico de la 18\u201d presenta tres obras fundamentales de la tradici\u00f3n literaria de Irlanda: una de James Joyce y dos piezas de Samuel Beckett. Dentro de esta programaci\u00f3n especial se estrena Mon\u00f3logo de Beckett, versi\u00f3n de Piece of Monologue, uno de los textos m\u00e1s radicales y depurados del Premio Nobel de Literatura […]<\/p>\n","protected":false},"author":3,"featured_media":28742,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":{"0":"post-28739","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte","8":"category-teatro"},"yoast_head":"\nMON\u00d3LOGO DE SAMUEL BECKETT - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MON\u00d3LOGO DE SAMUEL BECKETT - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"El Teatro \u201cEl Exc\u00e9ntrico de la 18\u201d presenta tres obras fundamentales de la tradici\u00f3n literaria de Irlanda: una de James Joyce y dos piezas de Samuel Beckett. Dentro de esta programaci\u00f3n especial se estrena Mon\u00f3logo de Beckett, versi\u00f3n de Piece of Monologue, uno de los textos m\u00e1s radicales y depurados del Premio Nobel de Literatura […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergio Lapegue\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/sergiolapegue\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/danielernesto.montana\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-05T16:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/03\/Monologo-de-Beckett.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1004\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel E. Monta\u00f1a\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/daner_004\" \/>\n<meta name=\"twitter:site\" content=\"@sergiolapegue\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel E. Monta\u00f1a\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/\"},\"author\":{\"name\":\"Daniel E. Monta\u00f1a\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#\\\/schema\\\/person\\\/9198e7dbab43c6d74d0fd5399af7c3cd\"},\"headline\":\"MON\u00d3LOGO DE SAMUEL BECKETT\",\"datePublished\":\"2026-03-05T16:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/\"},\"wordCount\":901,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#\\\/schema\\\/person\\\/083aeceeb0734cd166779ea6c0551a37\"},\"image\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Monologo-de-Beckett.jpg\",\"articleSection\":[\"Arte\",\"Teatro\"],\"inLanguage\":\"es-AR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/\",\"url\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/\",\"name\":\"MON\u00d3LOGO DE SAMUEL BECKETT - Sergio Lapegue\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Monologo-de-Beckett.jpg\",\"datePublished\":\"2026-03-05T16:00:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#breadcrumb\"},\"inLanguage\":\"es-AR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es-AR\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#primaryimage\",\"url\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Monologo-de-Beckett.jpg\",\"contentUrl\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/Monologo-de-Beckett.jpg\",\"width\":1004,\"height\":1000},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/2026\\\/03\\\/05\\\/monologo-de-samuel-beckett\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"MON\u00d3LOGO DE SAMUEL BECKETT\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#website\",\"url\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/\",\"name\":\"Sergio Lapegue\",\"description\":\"Periodista\",\"publisher\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#\\\/schema\\\/person\\\/083aeceeb0734cd166779ea6c0551a37\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es-AR\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#\\\/schema\\\/person\\\/083aeceeb0734cd166779ea6c0551a37\",\"name\":\"Sergio Lapegue\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-AR\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/logo_header-1.png\",\"url\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/logo_header-1.png\",\"contentUrl\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/logo_header-1.png\",\"width\":272,\"height\":90,\"caption\":\"Sergio Lapegue\"},\"logo\":{\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/logo_header-1.png\"},\"sameAs\":[\"https:\\\/\\\/facebook.com\\\/sergiolapegue\",\"https:\\\/\\\/instagram.com\\\/sergiolapegue\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/sergiolapegue\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/#\\\/schema\\\/person\\\/9198e7dbab43c6d74d0fd5399af7c3cd\",\"name\":\"Daniel E. Monta\u00f1a\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es-AR\",\"@id\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/sl_avatar_Daniel-150x150.jpg\",\"url\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/sl_avatar_Daniel-150x150.jpg\",\"contentUrl\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/wp-content\\\/uploads\\\/2021\\\/04\\\/sl_avatar_Daniel-150x150.jpg\",\"caption\":\"Daniel E. Monta\u00f1a\"},\"sameAs\":[\"https:\\\/\\\/facebook.com\\\/danielernesto.montana\",\"https:\\\/\\\/instagram.com\\\/daniel_montana1961\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/daner_004\"],\"url\":\"https:\\\/\\\/sergiolapegue.com\\\/site\\\/author\\\/daniel\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"MON\u00d3LOGO DE SAMUEL BECKETT - Sergio Lapegue","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/","og_locale":"es_ES","og_type":"article","og_title":"MON\u00d3LOGO DE SAMUEL BECKETT - Sergio Lapegue","og_description":"El Teatro \u201cEl Exc\u00e9ntrico de la 18\u201d presenta tres obras fundamentales de la tradici\u00f3n literaria de Irlanda: una de James Joyce y dos piezas de Samuel Beckett. Dentro de esta programaci\u00f3n especial se estrena Mon\u00f3logo de Beckett, versi\u00f3n de Piece of Monologue, uno de los textos m\u00e1s radicales y depurados del Premio Nobel de Literatura […]","og_url":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/","og_site_name":"Sergio Lapegue","article_publisher":"https:\/\/facebook.com\/sergiolapegue","article_author":"https:\/\/facebook.com\/danielernesto.montana","article_published_time":"2026-03-05T16:00:00+00:00","og_image":[{"width":1004,"height":1000,"url":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/03\/Monologo-de-Beckett.jpg","type":"image\/jpeg"}],"author":"Daniel E. Monta\u00f1a","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/daner_004","twitter_site":"@sergiolapegue","twitter_misc":{"Escrito por":"Daniel E. Monta\u00f1a","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#article","isPartOf":{"@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/"},"author":{"name":"Daniel E. Monta\u00f1a","@id":"https:\/\/sergiolapegue.com\/site\/#\/schema\/person\/9198e7dbab43c6d74d0fd5399af7c3cd"},"headline":"MON\u00d3LOGO DE SAMUEL BECKETT","datePublished":"2026-03-05T16:00:00+00:00","mainEntityOfPage":{"@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/"},"wordCount":901,"commentCount":0,"publisher":{"@id":"https:\/\/sergiolapegue.com\/site\/#\/schema\/person\/083aeceeb0734cd166779ea6c0551a37"},"image":{"@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#primaryimage"},"thumbnailUrl":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/03\/Monologo-de-Beckett.jpg","articleSection":["Arte","Teatro"],"inLanguage":"es-AR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/","url":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/","name":"MON\u00d3LOGO DE SAMUEL BECKETT - Sergio Lapegue","isPartOf":{"@id":"https:\/\/sergiolapegue.com\/site\/#website"},"primaryImageOfPage":{"@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#primaryimage"},"image":{"@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#primaryimage"},"thumbnailUrl":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/03\/Monologo-de-Beckett.jpg","datePublished":"2026-03-05T16:00:00+00:00","breadcrumb":{"@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#breadcrumb"},"inLanguage":"es-AR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/"]}]},{"@type":"ImageObject","inLanguage":"es-AR","@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#primaryimage","url":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/03\/Monologo-de-Beckett.jpg","contentUrl":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/03\/Monologo-de-Beckett.jpg","width":1004,"height":1000},{"@type":"BreadcrumbList","@id":"https:\/\/sergiolapegue.com\/site\/2026\/03\/05\/monologo-de-samuel-beckett\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inicio","item":"https:\/\/sergiolapegue.com\/site\/"},{"@type":"ListItem","position":2,"name":"MON\u00d3LOGO DE SAMUEL BECKETT"}]},{"@type":"WebSite","@id":"https:\/\/sergiolapegue.com\/site\/#website","url":"https:\/\/sergiolapegue.com\/site\/","name":"Sergio Lapegue","description":"Periodista","publisher":{"@id":"https:\/\/sergiolapegue.com\/site\/#\/schema\/person\/083aeceeb0734cd166779ea6c0551a37"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/sergiolapegue.com\/site\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es-AR"},{"@type":["Person","Organization"],"@id":"https:\/\/sergiolapegue.com\/site\/#\/schema\/person\/083aeceeb0734cd166779ea6c0551a37","name":"Sergio Lapegue","image":{"@type":"ImageObject","inLanguage":"es-AR","@id":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/logo_header-1.png","url":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/logo_header-1.png","contentUrl":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/logo_header-1.png","width":272,"height":90,"caption":"Sergio Lapegue"},"logo":{"@id":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/logo_header-1.png"},"sameAs":["https:\/\/facebook.com\/sergiolapegue","https:\/\/instagram.com\/sergiolapegue","https:\/\/x.com\/https:\/\/twitter.com\/sergiolapegue"]},{"@type":"Person","@id":"https:\/\/sergiolapegue.com\/site\/#\/schema\/person\/9198e7dbab43c6d74d0fd5399af7c3cd","name":"Daniel E. Monta\u00f1a","image":{"@type":"ImageObject","inLanguage":"es-AR","@id":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/sl_avatar_Daniel-150x150.jpg","url":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/sl_avatar_Daniel-150x150.jpg","contentUrl":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2021\/04\/sl_avatar_Daniel-150x150.jpg","caption":"Daniel E. Monta\u00f1a"},"sameAs":["https:\/\/facebook.com\/danielernesto.montana","https:\/\/instagram.com\/daniel_montana1961","https:\/\/x.com\/https:\/\/twitter.com\/daner_004"],"url":"https:\/\/sergiolapegue.com\/site\/author\/daniel\/"}]}},"_links":{"self":[{"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/posts\/28739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/comments?post=28739"}],"version-history":[{"count":1,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/posts\/28739\/revisions"}],"predecessor-version":[{"id":28743,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/posts\/28739\/revisions\/28743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/media\/28742"}],"wp:attachment":[{"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/media?parent=28739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/categories?post=28739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sergiolapegue.com\/site\/wp-json\/wp\/v2\/tags?post=28739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}