{"id":28230,"date":"2026-02-16T01:00:00","date_gmt":"2026-02-16T04:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=28230"},"modified":"2026-02-13T01:48:30","modified_gmt":"2026-02-13T04:48:30","slug":"taller-de-actuacion-en-el-teatro-clasico","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2026\/02\/16\/taller-de-actuacion-en-el-teatro-clasico\/","title":{"rendered":"TALLER DE ACTUACI\u00d3N EN EL TEATRO CL\u00c1SICO"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">En marzo comienza, como lo vienen haciendo desde hace varios a\u00f1os, en el Teatro El Convento el Taller de Teatro Cl\u00e1sico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1995, Mart\u00edn Barreiro fund\u00f3 el&nbsp;Teatro Argentino de C\u00e1mara \u2013 Teatro El Convento, que desde entonces se consolid\u00f3 como un proyecto estable de repertorio cl\u00e1sico y un punto de referencia dentro del circuito teatral porte\u00f1o. Este 2025, la sala celebra sus&nbsp;30 a\u00f1os de trayectoria&nbsp;con una programaci\u00f3n que honra su historia y renueva su compromiso con la escena.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ubicado en el&nbsp;Convento Grande de San Ram\u00f3n Nonato (Reconquista 269, CABA), monumento hist\u00f3rico nacional del a\u00f1o 1601, es mucho m\u00e1s que un teatro: es un espacio donde conviven la memoria arquitect\u00f3nica y la vitalidad de los grandes textos universales.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"560\" src=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-3.jpg\" alt=\"\" class=\"wp-image-28231\" srcset=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-3.jpg 900w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-3-300x187.jpg 300w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-3-768x478.jpg 768w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-3-675x420.jpg 675w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-3-696x433.jpg 696w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfC\u00f3mo entramos en el lenguaje del teatro cl\u00e1sico sinti\u00e9ndonos veraces en nuestro mundo contempor\u00e1neo?, \u00bfC\u00f3mo emocionar con las im\u00e1genes y el lenguaje del teatro cl\u00e1sico en el siglo XXI?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hay una sola respuesta: despertando emociones.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El Taller de Teatro Cl\u00e1sico comenzar\u00e1 el martes 10 de marzo, de 19:00 horas a 21:00 horas, en el cual las personas que participen del mismo van a tener distintas disciplinas como ser:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Entrenamiento corporal<\/li>\n\n\n\n<li>Trabajos con textos<\/li>\n\n\n\n<li>Realizaci\u00f3n de obra<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Para poder obtener informes sobre cupo e inscripci\u00f3n, enviar mensaje a:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Instagram: <a href=\"https:\/\/www.instagram.com\/teatroelconvento\/\">https:\/\/www.instagram.com\/teatroelconvento\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Facebook: <a href=\"https:\/\/www.facebook.com\/teatroelconvento\">https:\/\/www.facebook.com\/teatroelconvento<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Web: <a href=\"http:\/\/www.teatroelconvento.com.ar\">www.teatroelconvento.com.ar<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mail: <a href=\"mailto:teatroelconvento@yahoo.com\">teatroelconvento@yahoo.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tel\u00e9fono: 011 6718-1435<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reconquista 269 \u2013 CABA<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4.jpg\" alt=\"\" class=\"wp-image-28232\" srcset=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4.jpg 900w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4-300x300.jpg 300w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4-150x150.jpg 150w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4-768x768.jpg 768w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4-420x420.jpg 420w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-4-696x696.jpg 696w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SOBRE EL TEATRO EL CONVENTO<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Desde el a\u00f1o 1996 la compa\u00f1\u00eda&nbsp;Teatro El Convento&nbsp;y su sala forman parte del circuito teatral de Buenos Aires. Tenemos como sede el edificio del Convento Grande de San Ram\u00f3n Nonato de Buenos Aires (Orden Mercedaria), declarado monumento hist\u00f3rico, situado en el coraz\u00f3n de la ciudad (Reconquista 269 &#8211; CABA) que data del a\u00f1o 1601; donde realizamos una intensa actividad teatral.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hemos trabajado en distintos teatros privados y oficiales de Argentina, Uruguay, Chile, Brasil y Espa\u00f1a. Nuestro repertorio est\u00e1 integrado, en su mayor\u00eda, por obras del teatro cl\u00e1sico; en especial, por las que forman parte de la edad media, renacimiento y barroco. Para comunicar textos escritos hace siglos fue oportuno concentrar nuestra actividad en la b\u00fasqueda de formas esc\u00e9nicas donde todos los elementos del arte teatral fueran respetados: El texto, la puesta en escena, la actuaci\u00f3n.<br>De esta manera hemos elaborado, a lo largo de estos a\u00f1os, puestas inspiradas en el arte esc\u00e9nico de la \u00e9poca en que se gestaron las obras (el cuadro vivo, los escenarios simult\u00e1neos, el truco esc\u00e9nico.); pero tambi\u00e9n, las fusionamos con formas dis\u00edmiles que van desde el No japon\u00e9s al de tensi\u00f3n- relajaci\u00f3n de Marta Graham; y hemos experimentado con t\u00e9cnicas cinematogr\u00e1ficas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hemos concebido la puesta en escena como una&nbsp;coreograf\u00eda, priorizando la sincronizaci\u00f3n en la construcci\u00f3n colectiva de movimientos en constante simbiosis fondo-primer plano. Dotamos a la actuaci\u00f3n del \u00e9nfasis que exige el texto cl\u00e1sico. Priorizamos la palabra a trav\u00e9s del verso o la met\u00e1fora, rescatando la belleza de nuestro idioma.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Construimos los personajes de las tragedias con econom\u00eda de recursos y remarcamos la caricatura en la comedia. Vulneramos la estabilidad del actor con m\u00faltiples transformaciones realizadas de manera inmediata. Tambi\u00e9n hemos formulado nuestro concepto de la iluminaci\u00f3n, el vestuario y la escenograf\u00eda para se\u00f1alar modos y transiciones a lo largo de cada obra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El fin que persigue nuestra compa\u00f1\u00eda es llevar a escena&nbsp; la poderosa cr\u00edtica cultural de naturaleza atemporal que encierra un texto. Ese es para nosotros el sello del teatro cl\u00e1sico, la sustancia que lo vuelve eterno. No incumbe a un solo hombre, sino a todos los hombres.&nbsp; Pero creemos tambi\u00e9n que la inmortalidad de una obra no se encuentra en sus infinitas repeticiones, intentando reconstruir \u00e9pocas pasadas, sino en la capacidad que tengamos para capturar los tiempos y lugares en los cuales vuelve a renacer. <strong>\u2013 Mart\u00edn Barreiro.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"880\" src=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-5.jpg\" alt=\"\" class=\"wp-image-28233\" srcset=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-5.jpg 900w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-5-300x293.jpg 300w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-5-768x751.jpg 768w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-5-430x420.jpg 430w, https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico-5-696x681.jpg 696w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>OBRAS REALIZADAS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ENRIQUE V<\/strong> \u2013 De William Shakespeare (2023)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LOS DEMONIOS<\/strong> \u2013 De Fi\u00f3dor Dostoievski.(2022)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MUTIS, HEFESTO<\/strong> \u2013 De Mart\u00edn Barreiro.(2022-2023)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LORCA\/DALI<\/strong> \u2013 De Mart\u00edn Barreiro.(2021-2022)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SHAKESPEARE, LA PERFORMANCE<\/strong> \u2013 De Mart\u00edn Barreiro.(2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>KIEN<\/strong> \u2013 De Mart\u00edn Barreiro.(2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CRIMEN Y CASTIGO<\/strong> \u2013 De Fi\u00f3dor Dostoievski.(2017-2018-2019-2020)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EL BELLO ENGA\u00d1O<\/strong> \u2013 De Mart\u00edn Barreiro.(2017)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>REY LEAR<\/strong> \u2013 De William Shakespeare.(2016-2017)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LOS HERMANOS KARAMAZOV<\/strong> \u2013 De Fi\u00f3dor Dostoievski.(2018)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TROYANAS<\/strong> \u2013 De Eur\u00edpides.(2016-2017)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TITO ANDR\u00d3NICO<\/strong> \u2013 De William Shakespeare.(2015-2016)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PARIA<\/strong> \u2013 De August Strindberg.(2015)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JULIO CESAR<\/strong> \u2013 De William Shakespeare.(2014)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RICARDO III<\/strong> \u2013 De William Shakespeare.(2013-2014)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EL AVARO<\/strong> \u2013 De Moli\u00e8re.(2013)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LA MADRE DE HAMLET<\/strong> \u2013 De Mart\u00edn Barreiro.(2013)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>OTELO<\/strong> \u2013 De William Shakespeare.(2012)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LAS PICARD\u00cdAS DE SCAPIN<\/strong> \u2013 De Moli\u00e8re.(2011-2012))<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EL CIRCULO MOZART<\/strong> \u2013 De Mart\u00edn Barreiro.(2011)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ROMANCE DE LOBOS<\/strong> \u2013 De Ram\u00f3n del Valle-Incl\u00e1n.(2010-2011))<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EL BELLO ENGA\u00d1O<\/strong> \u2013 De Mart\u00edn Barreiro.(2009-2010)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HAMLET<\/strong> \u2013 De William Shakespere.(2009)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EL INSPECTOR GENERAL<\/strong> \u2013 De Nicol\u00e1s G\u00f3gol.(2008)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MACBETH<\/strong> \u2013 De William Shakespeare.(2006-2007-2008-2009)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LORENZACCIO<\/strong> \u2013 De Alfred de Musset.(2007-2008)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MOLI\u00c9RE EN M\u00cd<\/strong> \u2013 De Mart\u00edn Barreiro.(2007)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TESTAMENTOS<\/strong> \u2013 De Fran\u00e7ois Villon.(2005\u20132006))<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ROMEO Y JULIETA<\/strong> \u2013 De William Shakespeare.(2005)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EL BURLADOR DE SEVILLA<\/strong> \u2013 De Tirso de Molina.(2004\u20132005)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LAS PRECIOSAS RID\u00cdCULAS<\/strong> \u2013 De Moli\u00e8re.(2004)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOCHE DE REYES, O LO QUE QUIERAS&#8230;<\/strong> \u2013 De William Shakespeare.(2003)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CAZADORES<\/strong> \u2013 De Mart\u00edn Barreiro.(2002)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TARTUFO<\/strong> \u2013 De Moli\u00e8re(2001-2002)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>VOLPONE<\/strong> \u2013 De Ben Jonson.(2000-2001)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TIRSO: LA DAGA Y EL \u00c1NGEL<\/strong> \u2013 De Mart\u00edn Barreiro.(1998-1999-2000-2003-2004)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CADA CU\u00c1L (JEDERMANN)<\/strong> \u2013 De Hugo Von Hoffmansthal.(1996-1997-1998-1999-2002)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En marzo comienza, como lo vienen haciendo desde hace varios a\u00f1os, en el Teatro El Convento el Taller de Teatro Cl\u00e1sico. En 1995, Mart\u00edn Barreiro fund\u00f3 el&nbsp;Teatro Argentino de C\u00e1mara \u2013 Teatro El Convento, que desde entonces se consolid\u00f3 como un proyecto estable de repertorio cl\u00e1sico y un punto de referencia dentro del circuito teatral [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":28234,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34],"tags":[],"class_list":["post-28230","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TALLER DE ACTUACI\u00d3N EN EL TEATRO CL\u00c1SICO - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2026\/02\/16\/taller-de-actuacion-en-el-teatro-clasico\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TALLER DE ACTUACI\u00d3N EN EL TEATRO CL\u00c1SICO - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"En marzo comienza, como lo vienen haciendo desde hace varios a\u00f1os, en el Teatro El Convento el Taller de Teatro Cl\u00e1sico. En 1995, Mart\u00edn Barreiro fund\u00f3 el&nbsp;Teatro Argentino de C\u00e1mara \u2013 Teatro El Convento, que desde entonces se consolid\u00f3 como un proyecto estable de repertorio cl\u00e1sico y un punto de referencia dentro del circuito teatral [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergiolapegue.com\/site\/2026\/02\/16\/taller-de-actuacion-en-el-teatro-clasico\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergio Lapegue\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/sergiolapegue\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/danielernesto.montana\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-16T04:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/Taller-de-actuacion-en-el-teatro-clasico.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"1382\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel E. 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