{"id":25782,"date":"2025-11-02T17:00:00","date_gmt":"2025-11-02T20:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=25782"},"modified":"2025-11-01T01:45:02","modified_gmt":"2025-11-01T04:45:02","slug":"huellas-de-haroldo","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2025\/11\/02\/huellas-de-haroldo\/","title":{"rendered":"HUELLAS DE HAROLDO"},"content":{"rendered":"\n

El dramaturgo y director Alfredo Mart\u00edn, luego del \u00e9xito de su obra \u201cUn mar de luto\u201d, presenta su nueva creaci\u00f3n \u201cHuellas de Haroldo\u201d, una obra que entrecruza cuentos del escritor Haroldo Conti \u2013 Un homenaje en el centenario de su nacimiento \u2013 con elementos de su biograf\u00eda, acompa\u00f1ado por un excelente elenco integrado por Marcelo Bucossi, Ariel Haal, Pablo Mingrino y Lara Olgiati y la m\u00fasica en vivo a cargo de Agust\u00edn Giganti.<\/p>\n\n\n\n

La pieza se podr\u00e1 ver los d\u00edas jueves a las 20:30 horas, en el Teatro Payr\u00f3<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SINOPSIS<\/strong><\/strong><\/p>\n\n\n\n

Tres c\u00f3micos ambulantes narran la historia de un amor plat\u00f3nico en Chacabuco, entre la se\u00f1orita Haydee y el Sr. Pelice, el cohetero del pueblo. As\u00ed reconstruyen el devenir de la ciudad, hasta que se produce un giro sorpresivo. El espacio se modifica y aparece la sala de una casa arrasada. El fantasma de Haroldo Conti regresa al domicilio donde fue secuestrado para terminar su \u00faltimo cuento, que espera inconcluso en la m\u00e1quina de escribir. Intentar\u00e1 exorcizar los recuerdos de esa noche mediante la escritura, ayudado por sus criaturas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

ACERCA DE LA OBRA<\/strong><\/strong><\/p>\n\n\n\n

La obra toma cuentos de Haroldo Conti cuya tem\u00e1tica es el pueblo de Chacabuco, lugar donde naci\u00f3 el escritor. Se describe po\u00e9ticamente la vida de sus habitantes, seres entra\u00f1ables, con una mirada contemplativa, dot\u00e1ndolos de una m\u00edstica singular. La puesta en escena parte de un plano realista que integra r\u00e1pidamente elementos on\u00edricos y fant\u00e1sticos. El texto est\u00e1 poblado de reflexiones sobre el tiempo y la existencia humana. Hay un entrecruzamiento entre la ficci\u00f3n y sus personajes, y hechos biogr\u00e1ficos significativos del autor, relacionados con su secuestro y desaparici\u00f3n en el a\u00f1o 1976, ejecutados por la dictadura c\u00edvico-eclesi\u00e1stico-militar que padeci\u00f3 nuestro pa\u00eds en ese entonces.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/strong><\/p>\n\n\n\n

Dramaturgia:<\/strong> Alfredo Mart\u00edn<\/p>\n\n\n\n

Elenco:<\/strong> Marcelo Bucossi (Escritor Haroldo Conti), <\/p>\n\n\n\n

             Ariel Haal (Artista ambulante \/ narrador), <\/p>\n\n\n\n

             Pablo Mingrino (Artista ambulante\/ Sr Pelice), <\/p>\n\n\n\n

             Lara Olgiati (Artista ambulante\/ Haydee Lombardi)<\/p>\n\n\n\n

M\u00fasico en vivo:<\/strong> Agust\u00edn Giganti<\/p>\n\n\n\n

M\u00fasica original:<\/strong> Agust\u00edn Giganti y Quique Sosa<\/p>\n\n\n\n

Iluminaci\u00f3n:<\/strong> Gustavo Reverdito y Alfredo Mart\u00edn<\/p>\n\n\n\n

Vestuario:<\/strong> Marcelo Bucossi<\/p>\n\n\n\n

Escenograf\u00eda:<\/strong> El Para\u00edso<\/p>\n\n\n\n

Creaci\u00f3n de objetos:<\/strong> Gustavo Reverdito<\/p>\n\n\n\n

Coreograf\u00eda:<\/strong> Mirna Serra<\/p>\n\n\n\n

Fotograf\u00eda:<\/strong> Ignacio Verguilla y Gustavo Reverdito<\/p>\n\n\n\n

Redes:<\/strong> \u00c1ngel Blanco<\/p>\n\n\n\n

Prensa:<\/strong> Valeria Franchi<\/p>\n\n\n\n

Asesoramiento Art\u00edstico:<\/strong> Marcelo Bucossi<\/p>\n\n\n\n

Asistente de direcci\u00f3n:<\/strong> Cecilia P\u00e9rez<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Alfredo Mart\u00edn<\/p>\n\n\n\n

Redes sociales:<\/strong> @huellasdeharoldo<\/p>\n\n\n\n

Duraci\u00f3n del espect\u00e1culo:<\/strong> 80 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TEATRO PAYR\u00d3<\/strong><\/strong><\/p>\n\n\n\n

San Mart\u00edn 766 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 4312-5922<\/p>\n\n\n\n

Web: http:\/\/www.teatropayro.com<\/a><\/p>\n\n\n\n

Entradas: $ 17.000 \u2013 en boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link:<\/p>\n\n\n\n

https:\/\/publico.alternativateatral.com\/entradas97463-huellas-de-haroldo?o=14<\/a><\/p>\n\n\n\n

Funciones: Jueves 20:30 horas \u2013 Del 09\/10\/2025 al 21\/11\/2025<\/p>\n\n\n\n

Gracias Valeria Franchi por hacernos llegar la gacetilla de prensa del estreno de este espect\u00e1culo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SOBRE ALFREDO MART\u00cdN<\/strong><\/strong><\/p>\n\n\n\n

Director, dramaturgo, docente y actor. M\u00e9dico psiquiatra y psicoanalista.<\/p>\n\n\n\n

Se form\u00f3 con Ra\u00fal Serrano, Ricardo Bart\u00eds, y Alberto Ure. Dramaturgia en la Escuela Municipal EMAD. Realiz\u00f3 seminarios con Mauricio Kartun, Daniel Veronese, Alejandro Tantani\u00e1n, Rafael Spregelburd y Marco Antonio de la Parra. Integr\u00f3 talleres de escritura literaria con Alberto Laiseca, Camilo S\u00e1nchez, Lola Arias y Santiago Craig.<\/p>\n\n\n\n

Sus obras de teatro articulan teatro y literatura: Franz Kafka: D\u00edptico kafkiano: La Metamorfosis y El Proceso. Dostoyevski: El Otro se\u00f1or G y El Prestamista que citaba a Goethe. Carlo Collodi: Ni\u00f1os de Madera (Sobre Pinocho). Mary Shelley: La criatura sin nombre (Frankenstein). Edmond Rostand: Cyrano. Fernando Pessoa: Escrito en su nombre. Witold Gombrowicz: Detr\u00e1s de la forma y la Fachalfarra (Ferdydurke). Garc\u00eda Lorca: Un Mar de Luto.<\/p>\n\n\n\n

Autores nacionales: Roberto Arlt: La Vida puerca y Como si fuera un Crimen. Florencio S\u00e1nchez: Abandonemos toda esperanza, Los derechos de la salud y El desalojo. Silvina Ocampo: Todo disfraz repugna a quien lo lleva, y Haroldo Conti: Lo que llevo de ausencia, Huellas de Haroldo, entre otros.<\/p>\n\n\n\n

\u00daltimas obras escritas y dirigidas: \u201cSi alguna vez te hace falta mi vida\u201d y \u201cEl acomodador, memoria de un oficio\u201d. Ambos materiales hablan sobre el mundo del teatro y los seres que lo habitan.<\/p>\n\n\n\n

Giras y premios: Recibi\u00f3 el premio Trinidad Guevara 2023, como director por su trabajo en Un Mar de Luto. Premio Luis Vehil 2014, como director por Pessoa escrito en su nombre. Premio Atina, como director por Ni\u00f1os de Madera 2016. Premio ARGENTORES como adaptador por Detr\u00e1s de la Forma 2010 y El prestamista que citaba a Goethe 2009.<\/p>\n\n\n\n

Particip\u00f3 como actor y director en giras y numerosos Festivales de Teatro Nacionales e Internacionales (Radom, Polonia; Berl\u00edn, Alemania; Austria, Nantes, Francia; Dubl\u00edn, Irlanda; Rio de janeiro, Brasil). Recibi\u00f3 numerosas nominaciones a los premios ACE, Florencio S\u00e1nchez, Teatro del Mundo (UBA) y Mar\u00eda Guerrero.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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