{"id":24776,"date":"2025-11-13T09:00:00","date_gmt":"2025-11-13T12:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=24776"},"modified":"2025-11-12T16:21:34","modified_gmt":"2025-11-12T19:21:34","slug":"el-idiota","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2025\/11\/13\/el-idiota\/","title":{"rendered":"“EL IDIOTA”"},"content":{"rendered":"\n

El Teatro El Convento, que este a\u00f1o cumple 30 a\u00f1os de vida, se prepara para el estreno de “El Idiota”, la reconocida novela de Fi\u00f3dor Dostoievski, en una adaptaci\u00f3n y direcci\u00f3n de Mart\u00edn Barreiro y las actuaciones de Mat\u00edas Turina, Emanuel Arce, Fernando L\u00f3pez, Vivi Campos, Sof\u00eda Jazm\u00edn, Mimi Ferraro, Alberto Cravero y Francesco Francica. La obra se estren\u00f3 el s\u00e1bado 16 de agosto a las 20:00 horas en el Teatro El Convento, poniendo en escena la conmovedora historia de una “alma bella” en una sociedad que la tilda de ingenua, explorando las consecuencias de la bondad frente a la cruda realidad.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SINOPSIS<\/strong><\/p>\n\n\n\n

La trama narra el regreso del joven Pr\u00edncipe Mishkin a San Petersburgo, donde su naturaleza compasiva y honesta choca con un mundo de miseria, pasiones oscuras y traici\u00f3n. Su encuentro con Rog\u00f3zhin marca el comienzo de una historia de locuras y desamor, en la que la bondad de Mishkin, de manera parad\u00f3jica, se convierte en el motor de un tr\u00e1gico desenlace.<\/p>\n\n\n\n

“El idiota” reflexiona sobre la fuerza desestabilizadora de la compasi\u00f3n, una cualidad que la sociedad actual, con su brutalidad y af\u00e1n por las apariencias, no puede tolerar. A trav\u00e9s de este cl\u00e1sico, la puesta en escena busca desarmar el alma humana y exponer su complejidad.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART<\/strong>\u00cdSTICA<\/strong><\/p>\n\n\n\n

Autor:<\/strong> Fi\u00f3dor Dostoievski<\/p>\n\n\n\n

Adaptaci\u00f3n:<\/strong> Mart\u00edn Barreiro<\/p>\n\n\n\n

Elenco: <\/strong>Mat\u00edas Turina (Pr\u00edncipe Mishkin)<\/p>\n\n\n\n

             Emanuel Arce (Rog\u00f3zhin)<\/p>\n\n\n\n

             Fernando L\u00f3pez (Hip\u00f3lito)<\/p>\n\n\n\n

             Vivi Campos (Nastasia)<\/p>\n\n\n\n

             Sof\u00eda Jazm\u00edn (Aglaya\/Varya)<\/p>\n\n\n\n

             Mimi Ferraro (Lizabeta\/Madre)<\/p>\n\n\n\n

             Alberto Cravero (General)<\/p>\n\n\n\n

             Francesco Francica (Gania)<\/p>\n\n\n\n

Escenograf\u00eda:<\/strong> MB-MB<\/p>\n\n\n\n

Vestuario:<\/strong> MB-MB<\/p>\n\n\n\n

Dise\u00f1o de luces:<\/strong> MB-MB<\/p>\n\n\n\n

Redes Sociales:<\/strong> 0KM Prensa<\/p>\n\n\n\n

Prensa:<\/strong> 0KM Prensa<\/p>\n\n\n\n

Puesta en escena:<\/strong> Mart\u00edn Barreiro<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Mart\u00edn Barreiro<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 95 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TEATRO EL CONVENTO<\/strong><\/p>\n\n\n\n

Reconquista 269 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Reservas: 11 6 718 1435<\/p>\n\n\n\n

Web: http:\/\/www.teatroelconvento.com.ar<\/a><\/p>\n\n\n\n

Entradas: $ 15.000 \u2013 en boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link:<\/p>\n\n\n\n

https:\/\/publico.alternativateatral.com\/entradas96836-el-idiota?o=14<\/a><\/p>\n\n\n\n

Funciones: S\u00e1bados 20:00 horas \u2013 Del 16\/08\/2025 al 13\/12\/2025<\/p>\n\n\n\n

Gracias Kevin Melgar de 0KM Prensa por acercarnos la gacetilla de prensa del estreno de este espect\u00e1culo.<\/p>\n\n\n\n

SOBRE EL TEATRO EL CONVENTO<\/strong><\/p>\n\n\n\n

Desde el a\u00f1o 1996 la compa\u00f1\u00eda Teatro El Convento y su sala forman parte del circuito teatral de Buenos Aires. Tenemos como sede el edificio del Convento Grande de San Ram\u00f3n Nonato de Buenos Aires (Orden Mercedaria), declarado monumento hist\u00f3rico, situado en el coraz\u00f3n de la ciudad (Reconquista 269 – CABA) que data del a\u00f1o 1601; donde realizamos una intensa actividad teatral.<\/p>\n\n\n\n

Hemos trabajado en distintos teatros privados y oficiales de Argentina, Uruguay, Chile, Brasil y Espa\u00f1a. Nuestro repertorio est\u00e1 integrado, en su mayor\u00eda, por obras del teatro cl\u00e1sico; en especial, por las que forman parte de la edad media, renacimiento y barroco. Para comunicar textos escritos hace siglos fue oportuno concentrar nuestra actividad en la b\u00fasqueda de formas esc\u00e9nicas donde todos los elementos del arte teatral fueran respetados: El texto, la puesta en escena, la actuaci\u00f3n.<\/p>\n\n\n\n

De esta manera hemos elaborado, a lo largo de estos a\u00f1os, puestas inspiradas en el arte esc\u00e9nico de la \u00e9poca en que se gestaron las obras (el cuadro vivo, los escenarios simult\u00e1neos, el truco esc\u00e9nico.); pero tambi\u00e9n, las fusionamos con formas dis\u00edmiles que van desde el No japon\u00e9s al de tensi\u00f3n- relajaci\u00f3n de Marta Graham; y hemos experimentado con t\u00e9cnicas cinematogr\u00e1ficas.<\/p>\n\n\n\n

Hemos concebido la puesta en escena como una coreograf\u00eda, priorizando la sincronizaci\u00f3n en la construcci\u00f3n colectiva de movimientos en constante simbiosis fondo-primer plano. Dotamos a la actuaci\u00f3n del \u00e9nfasis que exige el texto cl\u00e1sico. Priorizamos la palabra a trav\u00e9s del verso o la met\u00e1fora, rescatando la belleza de nuestro idioma.<\/p>\n\n\n\n

Construimos los personajes de las tragedias con econom\u00eda de recursos y remarcamos la caricatura en la comedia. Vulneramos la estabilidad del actor con m\u00faltiples transformaciones realizadas de manera inmediata. Tambi\u00e9n hemos formulado nuestro concepto de la iluminaci\u00f3n, el vestuario y la escenograf\u00eda para se\u00f1alar modos y transiciones a lo largo de cada obra.<\/p>\n\n\n\n

El fin que persigue nuestra compa\u00f1\u00eda es llevar a escena la poderosa cr\u00edtica cultural de naturaleza atemporal que encierra un texto. Ese es para nosotros el sello del teatro cl\u00e1sico, la sustancia que lo vuelve eterno. No incumbe a un solo hombre, sino a todos los hombres.  Pero creemos tambi\u00e9n que la inmortalidad de una obra no se encuentra en sus infinitas repeticiones, intentando reconstruir \u00e9pocas pasadas, sino en la capacidad que tengamos para capturar los tiempos y lugares en los cuales vuelve a renacer.<\/p>\n\n\n\n

REDES SOCIALES<\/strong><\/p>\n\n\n\n

Facebook:<\/strong> TeatroEl Convento<\/p>\n\n\n\n

Instagram:<\/strong> @teatroelconvento<\/p>\n\n\n\n

X (ex Twitter):<\/strong> @TeatroElConvent<\/p>\n\n\n\n

YouTube:<\/strong> @mbarreiro47 <\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

El Teatro El Convento, que este a\u00f1o cumple 30 a\u00f1os de vida, se prepara para el estreno de “El Idiota”, la reconocida novela de Fi\u00f3dor Dostoievski, en una adaptaci\u00f3n y direcci\u00f3n de Mart\u00edn Barreiro y las actuaciones de Mat\u00edas Turina, Emanuel Arce, Fernando L\u00f3pez, Vivi Campos, Sof\u00eda Jazm\u00edn, Mimi Ferraro, Alberto Cravero y Francesco Francica. La obra se estren\u00f3 […]<\/p>\n","protected":false},"author":3,"featured_media":24782,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":{"0":"post-24776","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte","8":"category-teatro"},"yoast_head":"\n"EL IDIOTA" - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2025\/11\/13\/el-idiota\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""EL IDIOTA" - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"El Teatro El Convento, que este a\u00f1o cumple 30 a\u00f1os de vida, se prepara para el estreno de “El Idiota”, la reconocida novela de Fi\u00f3dor Dostoievski, en una adaptaci\u00f3n y direcci\u00f3n de Mart\u00edn Barreiro y las actuaciones de Mat\u00edas Turina, Emanuel Arce, Fernando L\u00f3pez, Vivi Campos, Sof\u00eda Jazm\u00edn, Mimi Ferraro, Alberto Cravero y Francesco Francica. 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