{"id":22448,"date":"2025-04-29T09:00:00","date_gmt":"2025-04-29T12:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=22448"},"modified":"2025-04-29T01:04:54","modified_gmt":"2025-04-29T04:04:54","slug":"sere","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2025\/04\/29\/sere\/","title":{"rendered":"“SER\u00c9”"},"content":{"rendered":"\n

En mayo la obra \u201cSer\u00e9\u201d cambia su d\u00eda de funci\u00f3n, la pieza con dramaturgia y direcci\u00f3n de Lautaro Delgado Tymruk y Sof\u00eda Brito, interpretada por Lautaro Delgado Tymruk se podr\u00e1 ver los d\u00edas s\u00e1bados a las 17:00 horas en el Teatro del Pueblo.<\/p>\n\n\n\n

\u201cSer\u00e9\u201d se trata de una cuidada y meticulosa representaci\u00f3n, que reconstruye la \u00e9pica fuga de un grupo de j\u00f3venes de la Mansi\u00f3n Ser\u00e9, el cual era un centro clandestino de detenci\u00f3n durante la dictadura militar en 1978, el texto esta basado en el testimonio de Guillermo Fern\u00e1ndez que realiza durante el juicio a las juntas en 1985, siendo uno de los cuatro j\u00f3venes que logra escapar del centro de detenci\u00f3n.  <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SINOPSIS<\/strong><\/p>\n\n\n\n

El actor es tomado por una voz.<\/p>\n\n\n\n

\u00bfEl espectador estar\u00e1 presenciando un acto de posesi\u00f3n?<\/p>\n\n\n\n

Ser\u00e9 es un manual de supervivencia. Un instructivo de fuga.<\/p>\n\n\n\n

A partir del testimonio que dio Guillermo Fern\u00e1ndez en 1985 durante el Juicio a las Juntas sobre su secuestro y fuga del centro clandestino de detenci\u00f3n llamado Mansi\u00f3n Ser\u00e9, un actor pondr\u00e1 su cuerpo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA  <\/strong><\/p>\n\n\n\n

Dramaturgia: <\/strong>Lautaro Delgado Tymruk y Sof\u00eda Brito<\/p>\n\n\n\n

Performer: <\/strong>Lautaro Delgado Tymruk<\/p>\n\n\n\n

Escenotecnia: <\/strong>Richy Salguero<\/p>\n\n\n\n

Iluminaci\u00f3n: <\/strong>Ricardo Sica<\/p>\n\n\n\n

Dise\u00f1o maqueta Mansi\u00f3n Ser\u00e9: <\/strong>Gustavo Brito e Isolda Maur<\/p>\n\n\n\n

Comunicaci\u00f3n y prensa: <\/strong>Mutuverr\u00eda PR<\/p>\n\n\n\n

Direcci\u00f3n: <\/strong>Lautaro Delgado Tymruk y Sof\u00eda Brito<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 75 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TEATRO DEL PUEBLO<\/strong><\/p>\n\n\n\n

Lavalle 3636 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 7542-1752<\/p>\n\n\n\n

Web: http:\/\/www.teatrodelpueblo.com.ar<\/a><\/p>\n\n\n\n

Entradas: $ 15.000 \u2013 en boleter\u00eda del teatro o porAlternativa Teatral<\/a><\/p>\n\n\n\n

Funciones: S\u00e1bados 17:00 horas \u2013 Del 03\/05\/2025 al 31\/05\/2025<\/p>\n\n\n\n

Gracias Mutuverr\u00eda PR por acercarnos la gacetilla de prensa de este excelente espect\u00e1culo.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

PALABRAS DE LAUTARO<\/strong><\/p>\n\n\n\n

“Ser\u00e9 es un circuito que se cierra. Hace m\u00e1s de diez a\u00f1os conoc\u00ed a Guillermo Fern\u00e1ndez en el rodaje de la pel\u00edcula Cr\u00f3nica de una fuga dirigida por Adri\u00e1n Caetano. Este film narra el doloroso y \u00e9pico escape de cuatro militantes pol\u00edticos secuestrados en la Mansi\u00f3n Ser\u00e9 en la \u00faltima dictadura c\u00edvico militar Argentina. Los que sobrevivieron a aquella pesadilla fueron Guillermo Fern\u00e1ndez, Carlos Garc\u00eda, Claudio Tamburrini y Daniel Rusomano. Se me ocurri\u00f3 entonces tomar su voz y poner mi cuerpo. Entonces la voz de Guillermo y de los presentes (el juez, fiscales, defensas, murmullos del p\u00fablico) en aquel registro sonoro ser\u00eda la plataforma de la puesta en la que transcurrir\u00eda la obra.<\/p>\n\n\n\n

La obra condena el horror y vuelve presente ese pasado de forma dial\u00e9ctica en tres niveles: el pasado narrado por Guillermo, con todo lo que implic\u00f3 el calvario del secuestro y la fuga; el presente de Guillermo en su declaraci\u00f3n, con sus recuerdos, sus olvidos, sus fallidos y sus revelaciones; y, por \u00faltimo, el aqu\u00ed y ahora de la obra, el tiempo de su representaci\u00f3n, con su opini\u00f3n sobre lo sucedido en esta actualidad, en esta \u00e9poca. No es poca cosa la intriga de la misma, su final: la fuga. Aqu\u00ed una peque\u00f1a victoria ocurrida el 24 de marzo de 1978, nada m\u00e1s y nada menos. El mismo d\u00eda del golpe militar del 76.  Ese dato hist\u00f3rico genera mito. En medio de la oscuridad cuatro hombres escapan.<\/p>\n\n\n\n

Ser\u00e9 es tambi\u00e9n reivindicaci\u00f3n de aquella peripecia y de las treinta mil personas secuestradas y desaparecidas en la \u00e9poca m\u00e1s oscura de nuestra historia. Lo que ver\u00e1n ser\u00e1 una emulaci\u00f3n, un truco de magia, ventriloqu\u00eda, siendo m\u00e1s espec\u00edficos. La sonoridad ser\u00e1 documental y la puesta en acci\u00f3n, ficci\u00f3n. Un cuerpo tomado por las voces de aquel testimonio valiente, desgarrador y necesario con el fin de reactualizar la memoria colectiva. Un cuerpo que har\u00e1 circuito y cortocircuito con el relato. Que se dejar\u00e1 hablar y opinar\u00e1 sobre lo que est\u00e1 \u201cdiciendo\u201d. Una boca que permanecer\u00e1 cerrada a veces, porque no tolerar\u00e1 pronunciar lo que dice. Una boca que vocalizar\u00e1 lo enunciado porque es necesario que se sepa lo ocurrido. Una voz significante y un cuerpo significado. Una voz significado y un cuerpo significante. Un estallido a metros de la butaca.<\/p>\n\n\n\n

Ser\u00e9 tambi\u00e9n es un estudio sobre el sonido y la voz. Sobre la palabra, sobre la materializaci\u00f3n de la palabra. La palabra como conjuro que al conjurar crea. El poder creador de la palabra. Ser\u00e9 es una obra de teatro urgente y provisoria. Urgente porque no hay tiempo y hay que reactualizar la memoria antes que la cabeza borradora de la hiperinformaci\u00f3n no deje rastros de la historia reciente. Provisoria porque esta es una propuesta que ir\u00e1 mutando. Adem\u00e1s la misma escenograf\u00eda y vestuario ir\u00e1 expandi\u00e9ndose. Es una puesta de combate y port\u00e1til. De combate porque es r\u00fastica, sin muchas pretensiones de belleza. Port\u00e1til porque la idea es que pueda ser actuada en cualquier espacio y r\u00e1pidamente”. \u2013 <\/strong>Lautaro Delgado Tymruk<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

En mayo la obra \u201cSer\u00e9\u201d cambia su d\u00eda de funci\u00f3n, la pieza con dramaturgia y direcci\u00f3n de Lautaro Delgado Tymruk y Sof\u00eda Brito, interpretada por Lautaro Delgado Tymruk se podr\u00e1 ver los d\u00edas s\u00e1bados a las 17:00 horas en el Teatro del Pueblo. \u201cSer\u00e9\u201d se trata de una cuidada y meticulosa representaci\u00f3n, que reconstruye la […]<\/p>\n","protected":false},"author":3,"featured_media":22453,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":{"0":"post-22448","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte","8":"category-teatro"},"yoast_head":"\n"SER\u00c9" - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2025\/04\/29\/sere\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""SER\u00c9" - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"En mayo la obra \u201cSer\u00e9\u201d cambia su d\u00eda de funci\u00f3n, la pieza con dramaturgia y direcci\u00f3n de Lautaro Delgado Tymruk y Sof\u00eda Brito, interpretada por Lautaro Delgado Tymruk se podr\u00e1 ver los d\u00edas s\u00e1bados a las 17:00 horas en el Teatro del Pueblo. \u201cSer\u00e9\u201d se trata de una cuidada y meticulosa representaci\u00f3n, que reconstruye la […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergiolapegue.com\/site\/2025\/04\/29\/sere\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergio Lapegue\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/sergiolapegue\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/danielernesto.montana\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-29T12:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2025\/04\/Sere.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1112\" \/>\n\t<meta property=\"og:image:height\" content=\"1169\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel E. 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