{"id":18129,"date":"2024-11-25T17:00:00","date_gmt":"2024-11-25T20:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=18129"},"modified":"2024-11-24T00:41:42","modified_gmt":"2024-11-24T03:41:42","slug":"medea","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2024\/11\/25\/medea\/","title":{"rendered":"\u201cMEDEA\u201d"},"content":{"rendered":"\n

El 05 de octubre en el Centro Cultural de la Cooperaci\u00f3n se estrena \u201cMedea\u201d, de Eur\u00edpides, sobre una versi\u00f3n de Irina Alonso, con direcci\u00f3n de Gustavo Pardi, la voz en off de Ingrid Pelicori y las actuaciones de Antonella Fittipaldi, Marcelo S\u00e1nchez, Iv\u00e1n D\u00edaz Ben\u00edtez, Noelia Perea, Carolina Krivoruk, Lourdes G\u00f3mez y Adriano Barisone.<\/p>\n\n\n\n

Las funciones ser\u00e1n los d\u00edas s\u00e1bados de octubre y noviembre a las 20:00 horas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SINOPSIS<\/strong><\/p>\n\n\n\n

“A veces las mujeres tenemos que tomar decisiones horribles”<\/p>\n\n\n\n

Un cruce de g\u00e9neros, un homenaje al teatro cl\u00e1sico y al cine de terror. Como en un cuadro expresionista, sacrificamos la ilusi\u00f3n de realidad para privilegiar lo descentrado, la maquinaria, el truco, el fantasma, la interpretaci\u00f3n del tema.<\/p>\n\n\n\n

Medea (la famosa hechicera venida de pa\u00edses b\u00e1rbaros) se encuentra sola y sin opciones en un mundo violento dominado por hombres, quienes deciden su futuro y le arrebatan su poder de decisi\u00f3n. Perdida y traicionada, despierta su lado m\u00e1s salvaje, se castiga a s\u00ed misma y a quienes ama para saciar su sed de venganza. Pasan los siglos, la tragedia sigue siendo la misma.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

SOBRE LA OBRA<\/strong><\/p>\n\n\n\n

Medea es una mujer desesperada que busca justicia. Con sus poderes de hechicera llevar\u00e1 a cabo la m\u00e1s cruel de las venganzas para castigar a Jas\u00f3n, su esposo traidor. La pasi\u00f3n descontrolada, la hybris que producir\u00e1 la tragedia, un instinto maternal que se ahoga en la venganza y la necesidad de no ser humillada.<\/p>\n\n\n\n

Medea y Jas\u00f3n penetran en el coraz\u00f3n humano y no encuentran all\u00ed m\u00e1s que pasiones desbocadas, crueldad, ambici\u00f3n. Son seres atormentados por la pasi\u00f3n. Lo tr\u00e1gico se encarna de alg\u00fan modo en la lucha contra un destino inexorable y en el conflicto que se abre entre el hombre, el poder, las pasiones y los dioses. Una vez m\u00e1s, el conflicto que se relata en Medea \u2013as\u00ed como los conflictos de todas las tragedias\u2013 tiene que ver con causas y sentimientos humanos.<\/p>\n\n\n\n

Medea -la otra, la extranjera- es astuta, taimada, doble, certera con su magia para llevar a cabo sus designios, y con esas armas logra vencer a sus enemigos en territorio propio. Enmascarado en el ultraje del abandono de un amor antes compartido, Medea habla del erotismo del poder.<\/p>\n\n\n\n

Los hombres en Medea evocan y encarnan la tradici\u00f3n masculina de la colonizaci\u00f3n y de la opresi\u00f3n de la mujer, y ella, justamente una extranjera, proveniente de un pa\u00eds no central, ser\u00e1 la que intente recuperar el equilibrio perdido, actuando por mano propia, porque tal vez sea eso es lo \u00fanico que pueda hacer quien est\u00e1 reducido a ser nada. C\u00f3mo distinguir el bien del mal, cuando ya los dioses, aunque todav\u00eda los invoquemos, nos han abandonado, como nos muestra Eur\u00edpides. O se han muerto, como nos anuncia una y otra vez Nietzsche.<\/p>\n\n\n\n

Medea nos enfrenta a ese abismo. Somos meramente humanos que intentan hacer tratos y esos tratos son fr\u00e1giles: est\u00e1n y estar\u00e1n siempre amenazados por lo que no tiene remedio. En cualquier tiempo y en cualquier lugar. \u00bfC\u00f3mo traer este mito a la escena actual?, \u00bfC\u00f3mo montar una obra de Eur\u00edpides hoy? \u00bfQu\u00e9 elementos de este texto escrito en el siglo V antes de Cristo nos motivan para llevarlo a escena? La \u00fanica certeza que emergi\u00f3 de esta b\u00fasqueda fue poner en primer plano las tensiones y acciones que el texto plantea.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/strong><\/p>\n\n\n\n

Autor:<\/strong> Eur\u00edpides<\/p>\n\n\n\n

Versi\u00f3n:<\/strong> Irina Alonso<\/p>\n\n\n\n

Elenco:<\/strong> Antonella Fittipaldi – Marcelo S\u00e1nchez – Iv\u00e1n D\u00edaz Ben\u00edtez – Noelia Perea – Carolina Krivoruk – Lourdes G\u00f3mez – Adriano Barisone<\/p>\n\n\n\n

Voz en off:<\/strong> Ingrid Pelicori<\/p>\n\n\n\n

Dise\u00f1o de iluminaci\u00f3n:<\/strong> Horacio Novelle<\/p>\n\n\n\n

Dise\u00f1o sonoro y m\u00fasica original: <\/strong>Silvina Aspiazu<\/p>\n\n\n\n

Entrenamiento vocal: <\/strong>Gisela Antman<\/p>\n\n\n\n

Vestuario:<\/strong> Yamila Solbes<\/p>\n\n\n\n

Fotograf\u00edas:<\/strong> Gast\u00f3n Fr\u00edas<\/p>\n\n\n\n

Comunicaci\u00f3n y prensa:<\/strong> Mutuverr\u00eda PR<\/p>\n\n\n\n

Asistente t\u00e9cnico: <\/strong>Tom\u00e1s Alc\u00e1ntara Acevedo<\/p>\n\n\n\n

Asistencia de direcci\u00f3n:<\/strong> Glenda Aramburu<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Gustavo Pardi<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 80 minutos<\/p>\n\n\n\n

Clasificaci\u00f3n:<\/strong> Teatro \u2013 Presencial \u2013 Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

CENTRO CULTURAL DE LA COOPERACI\u00d3N<\/strong><\/p>\n\n\n\n

Av. Corrientes 1543 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 6091-7000 \u2013 Web: http:\/\/www.centrocultural.coop<\/a><\/p>\n\n\n\n

Entradas: $ 10.000 \u2013 en boleter\u00eda del teatro o a trav\u00e9s de <\/strong>Alternativa Teatral<\/a><\/p>\n\n\n\n

Funciones: S\u00e1bados 20:00 horas \u2013 Del 05\/10\/2024 al 30\/11\/2024<\/p>\n\n\n\n

Gracias Mutuverr\u00eda PR por acercarnos la gacetilla de prensa del estreno de este espect\u00e1culo.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

El 05 de octubre en el Centro Cultural de la Cooperaci\u00f3n se estrena \u201cMedea\u201d, de Eur\u00edpides, sobre una versi\u00f3n de Irina Alonso, con direcci\u00f3n de Gustavo Pardi, la voz en off de Ingrid Pelicori y las actuaciones de Antonella Fittipaldi, Marcelo S\u00e1nchez, Iv\u00e1n D\u00edaz Ben\u00edtez, Noelia Perea, Carolina Krivoruk, Lourdes G\u00f3mez y Adriano Barisone. Las […]<\/p>\n","protected":false},"author":3,"featured_media":18134,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":{"0":"post-18129","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte","8":"category-teatro"},"yoast_head":"\n\u201cMEDEA\u201d - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2024\/11\/25\/medea\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cMEDEA\u201d - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"El 05 de octubre en el Centro Cultural de la Cooperaci\u00f3n se estrena \u201cMedea\u201d, de Eur\u00edpides, sobre una versi\u00f3n de Irina Alonso, con direcci\u00f3n de Gustavo Pardi, la voz en off de Ingrid Pelicori y las actuaciones de Antonella Fittipaldi, Marcelo S\u00e1nchez, Iv\u00e1n D\u00edaz Ben\u00edtez, Noelia Perea, Carolina Krivoruk, Lourdes G\u00f3mez y Adriano Barisone. 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