{"id":18118,"date":"2024-09-25T09:00:00","date_gmt":"2024-09-25T12:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=18118"},"modified":"2024-09-24T03:32:43","modified_gmt":"2024-09-24T06:32:43","slug":"sone-con-ellas","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2024\/09\/25\/sone-con-ellas\/","title":{"rendered":"\u201cSO\u00d1\u00c9 CON ELLAS\u201d"},"content":{"rendered":"\n

El Dramaturgo, Director Teatral y Doctor en Investigaci\u00f3n en Ciencias Sociales (UBA), Gustavo Moscona, luego del \u00e9xito de su obra \u201cEl Edificio\u201d sobre el atentado a la AMIA, presenta \u201cSo\u00f1\u00e9 con ellas\u201d, una comprometida obra sobre la violencia hacia las mujeres donde se recuerda, en este segundo ciclo, las historias de Marita Ver\u00f3n, Lola Chomnalez y Micaela Garc\u00eda.<\/p>\n\n\n\n

Ser\u00e1n solo 4 \u00fanicas funciones los d\u00edas s\u00e1bados de octubre a las 20:00 horas, en La Gloria Espacio Teatral<\/p>\n\n\n\n

SINOPSIS<\/strong><\/p>\n\n\n\n

\u00bfQu\u00e9 pas\u00f3 con Marita Ver\u00f3n, con Lola Chomnalez y Micaela Garc\u00eda? \u00bfPueden seguir desapareciendo mujeres en democracia? \u00bfPueden ser asesinadas mujeres en la Argentina de hoy? \u00bfQu\u00e9 significa la palabra femicidio en esta realidad tan deshumanizada.<\/p>\n\n\n\n

Las escenas se suceden y se relacionan de manera ilusoria, sin contar una historia lineal sino fragmentos de historias de cada una de las protagonistas que se entremezclan en una \u00fanica noche que compartir\u00e1n juntas.<\/p>\n\n\n\n

PALABRAS DEL AUTOR<\/strong><\/p>\n\n\n\n

Me interesa problematizar el tema de las mujeres v\u00edctimas de femicidios por su dolorosa vigencia. En este segundo ciclo sigo haciendo las mismas preguntas inc\u00f3modas que nos interpelan en forma individual y como sociedad, aunque se trata de otras historias, de otras vidas, de otras mujeres, de otras actrices. Las tres protagonistas contar\u00e1n fragmentos de su vida y de lo ocurrido, que se mezcla inevitablemente con su rutina de ser j\u00f3venes y de ser mujeres. Es as\u00ed como constantemente escenas tr\u00e1gicas se fusiona con momentos luminosos de sus vidas, utilizando la met\u00e1fora y la poes\u00eda para narrar sin caer en \u201cgolpes bajos\u201d. Desde un teatro documental que no acepta esta realidad con resignaci\u00f3n, que no naturaliza y se presenta profundamente pol\u00edtico, intentamos con esta obra hacer un ejercicio de memoria y una reflexi\u00f3n de cara a nuestro presente, que nos acerque a un futuro mejor sin violencias patriarcales hacia las mujeres.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA <\/strong><\/p>\n\n\n\n

Dramaturgia:<\/strong> Gustavo Moscona<\/p>\n\n\n\n

Actuaci\u00f3n:<\/strong> Laura Moretti (Marita Ver\u00f3n)<\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paz Vel\u00e1zquez\u00a0(Micaela Garc\u00eda)<\/p>\n\n\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Delfina Serbia\u00a0(Lola Chomnalez)<\/p>\n\n\n\n

Fotograf\u00eda:<\/strong> Victoria Thourte<\/p>\n\n\n\n

Video:<\/strong> Victoria Thourte<\/p>\n\n\n\n

Dise\u00f1o gr\u00e1fico:<\/strong> Graciela Pieresko<\/p>\n\n\n\n

Prensa:<\/strong> Valeria Franchi<\/p>\n\n\n\n

Asistencia de direcci\u00f3n:<\/strong> Graciela Pieresko<\/p>\n\n\n\n

Producci\u00f3n:<\/strong> Graciela Pieresko<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Gustavo Moscona<\/p>\n\n\n\n

Redes sociales:<\/strong> @sone_con_ellas<\/p>\n\n\n\n

Duraci\u00f3n:<\/strong> 50 minutos<\/p>\n\n\n\n

LA GLORIA ESPACIO TEATRAL<\/strong><\/p>\n\n\n\n

Yatay 890 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Entradas: $ 8.000 \u2013 en boleter\u00eda del teatro o por Alternativa Teatral \u2013 Link:<\/p>\n\n\n\n

https:\/\/publico.alternativateatral.com\/entradas78743-sone-con-ellas?o=14<\/a><\/p>\n\n\n\n

Funciones: S\u00e1bados 20:00 horas \u2013 Del 05\/10\/2024 al 26\/10\/2024<\/p>\n\n\n\n

Gracias Valeria Franchi por enviarnos la gacetilla de prensa de este espect\u00e1culo.<\/p>\n\n\n\n

SOBRE GUSTAVO MOSCONA<\/strong><\/p>\n\n\n\n

Naci\u00f3 en 1967. Es Dramaturgo y Director de Teatro. Escritor. Doctor en Investigaci\u00f3n en Ciencias Sociales (UBA) Mag\u00edster en Cultura y Comunicaci\u00f3n, Licenciado en Sociolog\u00eda y en Ciencias Pol\u00edticas (UBA) y Profesor de Historia. Realiz\u00f3 la dramaturgia y direcci\u00f3n de las siguientes obras: \u201cEl Edificio\u201d (2023-2024), \u201cSo\u00f1\u00e9 con ellas\u201d (2022-2023), \u201cLa \u00faltima Receta\u201d (2022-2023), \u201cAquel s\u00e9ptimo del 79\u201d (2019), \u201cMudanzas\u201d (2018), \u201cAquel Rancho de Cabo Polonio\u201d (2017 \u2013 2018), \u201cTantas payasas sean necesarias\u201d (2017), \u201cEl Cementerio\u201d (2016- 2017- 2018), \u201cTenemos que hablar con las chicas\u201d (2015-2016), \u201cPolic\u00eda para ratas\u201d (2015-2016-2019), \u201cEl Locutorio\u201d (2014- 2015), \u201cEl Escape\u201d (2011- 2012-2013 -2014),  \u201cSupongamos que tuvimos SIDA\u201d (2014 -2015), \u201cRecordares\u201d (2012- 2013-2014), \u201cBarriletes en Tempestad\u201d (2012-2013- 2014),  \u201cPostales del 2002\u201d (2011- 2018), \u201cDelivery\u201d (2010). \u201cOficio Terrestre Taxista\u201d (2009). Escribi\u00f3 y dirigi\u00f3 las obras breves \u201cApunten al Natural (2016), \u201cEl Rojo carne, una pasi\u00f3n argenta (2012), \u201cEl Ultimo recreo\u201d (2013), \u201cHasta en el \u00faltimo rinc\u00f3n\u201d (2013). Dirigi\u00f3 teatro comunitario en Virrey del Pino, La Matanza entre los a\u00f1os 1995 y 2009 con el grupo \u201cVeladas Paquetas\u201d. Form\u00f3 parte del grupo de dramaturgos \u201cNo hay drama\u201d  entre los a\u00f1os 2009 y 2010. En la Facultad Ciencias Sociales (UBA), durante los a\u00f1os 2007, 2008 y 2009, organiz\u00f3 tres happenings: \u201cLa Asamblea\u201d, \u201cLa Beca\u201d y \u201cEl Velatorio\u201d. En la Universidad General Sarmiento realiz\u00f3 en 2014 la Instalaci\u00f3n Teatral \u201cTrelew, la patria fusilada\u201d, \u201cQue nadie saquee nuestra memoria\u201d (2015). En el a\u00f1o 2016 presento en el IMPA la Instalaci\u00f3n Teatral \u201cAcerca de los fusilamientos de Jos\u00e9 Le\u00f3n Suarez\u201d. Present\u00f3 La instalaci\u00f3n Teatral \u201cCroma\u00f1\u00f3n nos pas\u00f3 a todos\u201d (2018- 2019). La Instalaci\u00f3n fue declarada en diciembre del 2019 de Inter\u00e9s Cultural por la Legislatura Porte\u00f1a. Se form\u00f3 en Direcci\u00f3n y Puesta en escena con Jos\u00e9 Mar\u00eda Muscari, In\u00e9s Saavedra, Pompeyo Audivert, Luciano Suardi, Cristian Drutt, Bernardo Cappa y David Amit\u00edn. Y en Actuaci\u00f3n con Virginia Lombardo, N\u00e9stor Sabattini, Irina Alonso, Cristina Armada, Marina Quesada, el grupo Krapp y Ana Yovino. Realiz\u00f3 seminarios de Dramaturgia con Cecilia Propato y de Escritura con Alberto Laisseca, Pablo P\u00e9rez, Fabi\u00e1n Casas, Marcelo Guerrieri, Mariana Enr\u00edquez y Maruja Bustamante. Escribi\u00f3 cuatro libros de cuentos: \u201cLa primera novia de Luis Miguel\u201d (2013), \u201cEl Brujo que traicion\u00f3 a Boca\u201d (2014), \u201cEsa Toper blanca y otros cuentos\u201d (2018), \u201cMochilas\u201d (2022) Y tres libros de ensayo \u201cNueve tiros\u201d Ensayos sobre cultura y pol\u00edtica en los a\u00f1os 60. Compilador  (2020), \u201cUn coctel explosivo\u201d Ensayos sobre Teatro y Pol\u00edtica (2021), Censura y Represi\u00f3n. Ensayos sobre cultura en los a\u00f1os 1976-1983, Compilador. (2023).<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

El Dramaturgo, Director Teatral y Doctor en Investigaci\u00f3n en Ciencias Sociales (UBA), Gustavo Moscona, luego del \u00e9xito de su obra \u201cEl Edificio\u201d sobre el atentado a la AMIA, presenta \u201cSo\u00f1\u00e9 con ellas\u201d, una comprometida obra sobre la violencia hacia las mujeres donde se recuerda, en este segundo ciclo, las historias de Marita Ver\u00f3n, Lola Chomnalez […]<\/p>\n","protected":false},"author":3,"featured_media":18119,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":{"0":"post-18118","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte","8":"category-teatro"},"yoast_head":"\n\u201cSO\u00d1\u00c9 CON ELLAS\u201d - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2024\/09\/25\/sone-con-ellas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cSO\u00d1\u00c9 CON ELLAS\u201d - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"El Dramaturgo, Director Teatral y Doctor en Investigaci\u00f3n en Ciencias Sociales (UBA), Gustavo Moscona, luego del \u00e9xito de su obra \u201cEl Edificio\u201d sobre el atentado a la AMIA, presenta \u201cSo\u00f1\u00e9 con ellas\u201d, una comprometida obra sobre la violencia hacia las mujeres donde se recuerda, en este segundo ciclo, las historias de Marita Ver\u00f3n, Lola Chomnalez […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergiolapegue.com\/site\/2024\/09\/25\/sone-con-ellas\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergio Lapegue\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/sergiolapegue\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/danielernesto.montana\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-25T12:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2024\/09\/Sone-con-ellas-0.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel E. 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