{"id":12731,"date":"2024-01-04T06:00:00","date_gmt":"2024-01-04T09:00:00","guid":{"rendered":"https:\/\/sergiolapegue.com\/site\/?p=12731"},"modified":"2024-01-03T01:23:41","modified_gmt":"2024-01-03T04:23:41","slug":"habitacion-macbeth","status":"publish","type":"post","link":"https:\/\/sergiolapegue.com\/site\/2024\/01\/04\/habitacion-macbeth\/","title":{"rendered":"HABITACI\u00d3N MACBETH"},"content":{"rendered":"\n

“Me reduje a casa” Antonio Di Benedetto<\/p>\n\n\n\n

“Las m\u00e1scaras vendr\u00e1n a ti, el alma nunca est\u00e1 desnuda” Lady Macbeth<\/p>\n\n\n\n

A LORENZO QUINTEROS<\/p>\n\n\n\n

A trav\u00e9s del cuerpo de un actor (encontrado en la fosa del teatro), las Brujas Fat\u00eddicas del p\u00e1ramo de huesos representar\u00e1n la tragedia Habitaci\u00f3n Macbeth, para el goce, deleite, y catarsis metaf\u00edsica de nuestra majestad creadora H\u00e9cate, vulgarmente conocida como El P\u00fablico.<\/p>\n\n\n\n

Habitaci\u00f3n Macbeth es el intento de arrojar junto a Shakespeare un piedrazo en el espejo tambi\u00e9n en el nivel de las formas de producci\u00f3n, de transparentar la estructura soporte, la m\u00e1quina teatral y su met\u00e1fora, sin menguar la extraordinaria potencia po\u00e9tica que sostienen sus efectuaciones ficcionales, por el contrario, mestiz\u00e1ndose con ellas, acrecent\u00e1ndolas, defendiendo la m\u00e1scara (Macbeth), pero tambi\u00e9n sus misterios sagrados, su ser artificio ritual de una presencia (nos otros) que siempre evade la emboscada que el teatro le tiende amorosamente para develarla, y que tal vez sea la nuestra en esa latitud de ser sin m\u00e1scaras.<\/p>\n\n\n\n

Shakespeare convoca los reflejos infieles que yacen m\u00e1s all\u00e1 de la conciencia, la conciencia no es m\u00e1s que un obst\u00e1culo ficcional, el espejo antes del piedrazo, \u00e9l lo sabe, y sin embargo la establece como carnada para pescar un bicho mayor, un asunto sobrehumano, o, mejor dicho, infrahumano, que acecha en el fondo del espejo y solo se revelar\u00e1 al romperlo: estamos habitados por fuerzas dorsales que viven larvadas en nosotros, r\u00e9moras de un crimen social que fund\u00f3 nuestra perspectiva hist\u00f3rica y no cesa de producirse, somos una sociedad Macbeth, nacida de una voluntad de poder compulsiva, cargada de un imperio que no admite rechazo.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

EL PIEDRAZO EN EL ESPEJO<\/u><\/strong><\/p>\n\n\n\n

Erigir un espejo para reflejar alguna circunstancia ficcional y concitar as\u00ed una unidad referencial con los espectadores, es, a fin de cuentas, una estrategia teatral muy com\u00fan; apedrear el espejo en el momento en que esa unidad se ha producido y amenaza cristalizarse no lo es (por eso Shakespeare y Beckett son geniales, no quieren reflejar al mundo sino revelar su condici\u00f3n de l\u00e1pida).
El piedrazo rompe la promesa unidimensional del reflejo dejando que el espejo revele sus valencias secretas, sus misterios y su profundidad abismal, hasta el punto de volverse pozo ciego, antro que deglute la perspectiva ficcional del frente hist\u00f3rico, para devolver fantasmagor\u00edas alucinadas, pre\u00f1adas de delirios y pasiones que dicen ser nosotros (nos otros). En Macbeth es el esp\u00edritu del crimen el que se presenta, atizado por una fuerza sobrenatural (H\u00e9cate) que lo reclama y despierta, que lo impele sin r\u00e9plica, a encarnar y manifestarse, a tomar el poder y acendrar su quilate hasta el martirio en el pat\u00edbulo metaf\u00edsico del teatro. Pompeyo Audivert<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

PREMIOS RECIBIDOS<\/u><\/strong><\/p>\n\n\n\n

Mar\u00eda Guerrero 2022:<\/strong><\/p>\n\n\n\n

Mejor Actor<\/p>\n\n\n\n

Mejor Adaptaci\u00f3n<\/p>\n\n\n\n

Mejor M\u00fasica Original e Interpretaci\u00f3n<\/p>\n\n\n\n

Mejor Iluminaci\u00f3n<\/p>\n\n\n\n

Trinidad Guevara 2021\/22:<\/strong><\/p>\n\n\n\n

Trayectoria, Pompeyo Audivert<\/p>\n\n\n\n

Mejor Iluminaci\u00f3n<\/p>\n\n\n\n

ACE 2022: Mejor actor<\/strong><\/p>\n\n\n\n

Actuaci\u00f3n masculina en obra para un solo actor<\/p>\n\n\n\n

Estrellas de Mar 2022:<\/strong><\/p>\n\n\n\n

Mejor Drama<\/p>\n\n\n\n

Mejor Actuaci\u00f3n Protag\u00f3nica<\/p>\n\n\n\n

Mejor Iluminaci\u00f3n<\/p>\n\n\n\n

Siripo 2022:<\/strong><\/p>\n\n\n\n

Mejor Obra Nacional presentada en C\u00f3rdoba<\/p>\n\n\n\n

Escuela de espectadores 2022:<\/strong><\/p>\n\n\n\n

Obra destacada<\/p>\n\n\n\n

Luisa Vehil 2021:<\/strong><\/p>\n\n\n\n

Mejor Direcci\u00f3n<\/p>\n\n\n\n


Redes sociales #Habitaci\u00f3nMacbeth<\/strong><\/p>\n\n\n\n

Facebook: <\/strong>https:\/\/www.facebook.com\/macbethhabitacion<\/strong><\/a>
Instagram: <\/strong>@habitacionmacbeth<\/strong><\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

FICHA T\u00c9CNICO ART\u00cdSTICA<\/u><\/strong><\/p>\n\n\n\n

Dramaturgia: <\/strong>W. Shakespeare sobre “Macbeth<\/p>\n\n\n\n

Versi\u00f3n para un actor:<\/strong> Pompeyo Audivert<\/p>\n\n\n\n

Act\u00faan:<\/strong> Pompeyo Audivert<\/p>\n\n\n\n

M\u00fasica original:<\/strong> Claudio Pe\u00f1a<\/p>\n\n\n\n

Vestuario:<\/strong> Luciana Gutman<\/p>\n\n\n\n

Escenograf\u00eda:<\/strong> Lucia Rabey<\/p>\n\n\n\n

Dise\u00f1o de luces:<\/strong> Horacio Novelle<\/p>\n\n\n\n

Redes sociales:<\/strong> Micaela Borlasca \u2013 Ver\u00f3nica Costa<\/p>\n\n\n\n

Fotograf\u00eda:<\/strong> Santiago Martinelli Massa \u2013 Bernab\u00e9 Rivarola<\/p>\n\n\n\n

Dise\u00f1o web:<\/strong> Ver\u00f3nica Costa<\/p>\n\n\n\n

Dise\u00f1o gr\u00e1fico:<\/strong> Micaela Borlasca \u2013 Ver\u00f3nica Costa <\/p>\n\n\n\n

Asistencia:<\/strong> Iv\u00e1n Altschuler \u2013 Ver\u00f3nica Costa \u2013 Marta Davico \u2013 M\u00f3nica Goizueta <\/p>\n\n\n\n

Producci\u00f3n ejecutiva:<\/strong> Marta Davico \u2013 M\u00f3nica Goizueta<\/p>\n\n\n\n

Direcci\u00f3n:<\/strong> Pompeyo Audivert<\/p>\n\n\n\n

Agradecimientos:<\/strong> Fernando Becerra \u2013 Andr\u00e9s Gerardi \u2013 Jos\u00e9 Glusman<\/p>\n\n\n\n

PARTICIPACIONES<\/strong><\/p>\n\n\n\n

Este espect\u00e1culo form\u00f3 parte del evento: Ciclo Agosto Po\u00e9tico<\/p>\n\n\n\n

Duraci\u00f3n: 90 minutos<\/p>\n\n\n\n

Clasificaciones: Teatro, Presencial, Adultos<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TEATRO METROPOLITAN SURA<\/u><\/strong><\/p>\n\n\n\n

Av. Corrientes 1343 \u2013 Capital Federal \u2013 Buenos Aires \u2013 Argentina<\/p>\n\n\n\n

Tel\u00e9fono: 5236-3000 \u2013 Web: http:\/\/www.teatrometropolitan.ar\/<\/a><\/p>\n\n\n\n

Entradas: Desde $ 9.500 \u2013 en boleter\u00eda del teatro o por Plateanet<\/p>\n\n\n\n

Funciones: Viernes y S\u00e1bados 20:00 horas \u2013 Del 05\/01\/2024 al 30\/03\/2024<\/p>\n","protected":false},"excerpt":{"rendered":"

“Me reduje a casa” Antonio Di Benedetto “Las m\u00e1scaras vendr\u00e1n a ti, el alma nunca est\u00e1 desnuda” Lady Macbeth A LORENZO QUINTEROS A trav\u00e9s del cuerpo de un actor (encontrado en la fosa del teatro), las Brujas Fat\u00eddicas del p\u00e1ramo de huesos representar\u00e1n la tragedia Habitaci\u00f3n Macbeth, para el goce, deleite, y catarsis metaf\u00edsica de nuestra majestad […]<\/p>\n","protected":false},"author":3,"featured_media":12736,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,35],"tags":[],"class_list":{"0":"post-12731","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arte","8":"category-teatro"},"yoast_head":"\nHABITACI\u00d3N MACBETH - Sergio Lapegue<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sergiolapegue.com\/site\/2024\/01\/04\/habitacion-macbeth\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HABITACI\u00d3N MACBETH - Sergio Lapegue\" \/>\n<meta property=\"og:description\" content=\"“Me reduje a casa” Antonio Di Benedetto “Las m\u00e1scaras vendr\u00e1n a ti, el alma nunca est\u00e1 desnuda” Lady Macbeth A LORENZO QUINTEROS A trav\u00e9s del cuerpo de un actor (encontrado en la fosa del teatro), las Brujas Fat\u00eddicas del p\u00e1ramo de huesos representar\u00e1n la tragedia Habitaci\u00f3n Macbeth, para el goce, deleite, y catarsis metaf\u00edsica de nuestra majestad […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sergiolapegue.com\/site\/2024\/01\/04\/habitacion-macbeth\/\" \/>\n<meta property=\"og:site_name\" content=\"Sergio Lapegue\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/facebook.com\/sergiolapegue\" \/>\n<meta property=\"article:author\" content=\"https:\/\/facebook.com\/danielernesto.montana\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-04T09:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2024\/01\/Habitacion-Macbeth.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1080\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel E. 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