{"version":"1.0","provider_name":"Sergio Lapegue","provider_url":"https:\/\/sergiolapegue.com\/site","author_name":"Daniel E. Monta\u00f1a","author_url":"https:\/\/sergiolapegue.com\/site\/author\/daniel\/","title":"LA URDIMBRE Y LA TRAMA - Sergio Lapegue","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"m23NazvsRO\"><a href=\"https:\/\/sergiolapegue.com\/site\/2026\/02\/15\/la-urdimbre-y-la-trama\/\">LA URDIMBRE Y LA TRAMA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sergiolapegue.com\/site\/2026\/02\/15\/la-urdimbre-y-la-trama\/embed\/#?secret=m23NazvsRO\" width=\"600\" height=\"338\" title=\"&#8220;LA URDIMBRE Y LA TRAMA&#8221; &#8212; Sergio Lapegue\" data-secret=\"m23NazvsRO\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/sergiolapegue.com\/site\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2026\/02\/La-urdimbre-y-la-trama.jpg","thumbnail_width":1000,"thumbnail_height":1250,"description":"Se estrena \u201cLa Urdimbre y la Trama\u201d con dramaturgia y direcci\u00f3n de M\u00f3nica Maff\u00eda, la actuaci\u00f3n Natalia Pascale y con m\u00fasica original de Yago Salorio. Una tejedora en guerra por la supremac\u00eda del simbolismo sagrado del hilado, transformar\u00e1 su telar po\u00e9tico en un arma para denunciar abuso de poder, violencia f\u00edsica, psicol\u00f3gica, patrimonial, simb\u00f3lica, medi\u00e1tica [&hellip;]"}