{"version":"1.0","provider_name":"Sergio Lapegue","provider_url":"https:\/\/sergiolapegue.com\/site","author_name":"Daniel E. Monta\u00f1a","author_url":"https:\/\/sergiolapegue.com\/site\/author\/daniel\/","title":"\u201cTRES MUJERES AUDACES\u201d - Sergio Lapegue","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HQI1DkmULA\"><a href=\"https:\/\/sergiolapegue.com\/site\/2025\/08\/17\/tres-mujeres-audaces\/\">\u201cTRES MUJERES AUDACES\u201d<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/sergiolapegue.com\/site\/2025\/08\/17\/tres-mujeres-audaces\/embed\/#?secret=HQI1DkmULA\" width=\"600\" height=\"338\" title=\"&#8220;\u201cTRES MUJERES AUDACES\u201d&#8221; &#8212; Sergio Lapegue\" data-secret=\"HQI1DkmULA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/sergiolapegue.com\/site\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/sergiolapegue.com\/site\/wp-content\/uploads\/2025\/03\/Tres-mujeres-audaces.png","thumbnail_width":1080,"thumbnail_height":1350,"description":"Casa de mu\u00f1ecas\u201d, de Henrik Ibsen (1879), \u201cLa se\u00f1orita Julia\u201d, de August Strindberg (1888) y \u201cEl t\u00edo Vanya\u201d, de Ant\u00f3n Chejov (1898), son tres de las obras que definieron el teatro contempor\u00e1neo. Las tres tienen fuertes personajes femeninos, cuyo comportamiento adelant\u00f3 algunos de los temas fundamentales de la revoluci\u00f3n feminista que comenz\u00f3 a gestarse a [&hellip;]"}